The China collectors : America's century-long hunt for Asian art treasures
(Book)

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Published
New York : Palgrave Macmillan Trade, 2015.
Status
Central - Adult Nonfiction
709.51 MEYER
1 available
Shirlington - Adult Nonfiction
709.51 MEYER
1 available

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LocationCall NumberStatus
Central - Adult Nonfiction709.51 MEYERAvailable
Shirlington - Adult Nonfiction709.51 MEYERAvailable

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Published
New York : Palgrave Macmillan Trade, 2015.
Format
Book
Physical Desc
ix, 3 pages of maps, [8] pages of color plates, 420 pages : illustrations, portraits ; 25 cm
Language
English

Notes

Bibliography
Includes bibliographical references, other sources and index.
Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?

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Citations

APA Citation, 7th Edition (style guide)

Meyer, K. E. 1., & Brysac, S. B. (2015). The China collectors: America's century-long hunt for Asian art treasures . Palgrave Macmillan Trade.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Meyer, Karl E. 1937- and Shareen Blair. Brysac. 2015. The China Collectors: America's Century-long Hunt for Asian Art Treasures. Palgrave Macmillan Trade.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Meyer, Karl E. 1937- and Shareen Blair. Brysac. The China Collectors: America's Century-long Hunt for Asian Art Treasures Palgrave Macmillan Trade, 2015.

MLA Citation, 9th Edition (style guide)

Meyer, Karl E. 1937-, and Shareen Blair Brysac. The China Collectors: America's Century-long Hunt for Asian Art Treasures Palgrave Macmillan Trade, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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