The girl who slept with God
(Large Type)

Book Cover
Average Rating
Published
Waterville, Maine : Thorndike Press, ©2015.
Status
Central - Adult Large Type
LT F BRELI
1 available

Copies

LocationCall NumberStatus
Central - Adult Large TypeLT F BRELIAvailable

Description

“Fine, carefully wrought . . . reading this novel [is] a heartening experience.” —The New York Times Book Review“Brelinski’s page-turning debut is full of humor, insight, and imaginative sympathy. Think of it as the annunciation of a new talent.” The Wall Street Journal“A revelation.” —Vanity Fair“[Brelinski] had readers hooked from page 1.” —ElleFor Fans of Celeste Ng’s Everything I Never Told You and Meg Wolitzer’s The Interestings, an entrancing literary debut about religion, science, secrets, and the power and burden of family from recent Wallace Stegner Fellow Val BrelinskiSet in Arco, Idaho, in 1970, Val Brelinski’s powerfully affecting first novel tells the story of three sisters: young Frances, gregarious and strong-willed Jory, and moral-minded Grace. Their father, Oren, is a respected member of the community and science professor at the local college. Yet their mother’s depression and Grace’s religious fervor threaten the seemingly perfect family, whose world is upended when Grace returns from a missionary trip to Mexico and discovers she’s pregnant with—she believes—the child of God.Distraught, Oren sends Jory and Grace to an isolated home at the edge of the town. There, they prepare for the much-awaited arrival of the baby while building a makeshift family that includes an elderly eccentric neighbor and a tattooed social outcast who drives an ice cream truck.The Girl Who Slept with God is a literary achievement about a family’s desperate need for truth, love, purity, and redemption.

More Details

Format
Large Type
Physical Desc
675 pages (large print) ; 22
Language
English
ISBN
9781410484970, 1410484971

Notes

Description
Set in Arco, Idaho, in 1970, Val Brelinski's powerfully affecting first novel tells the story of three sisters: young Frances, gregarious and strong-willed Jory, and moral-minded Grace. Their father, Oren, is a respected member of the community and science professor at the local college. Yet their mother's depression and Grace's religious fervor threaten the seemingly perfect family, whose world is upended when Grace returns from a missionary trip to Mexico and discovers she's pregnant with--she believes--the child of God. Distraught, Oren sends Jory and Grace to an isolated home at the edge of the town. There, they prepare for the much-awaited arrival of the baby while building a makeshift family that includes an elderly eccentric neighbor and a tattooed social outcast who drives an ice cream truck

Discover More

Excerpt

Loading Excerpt...

Author Notes

Loading Author Notes...

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors haunting and lyrical, and they have the theme "unhappy families"; the genres "literary fiction" and "adult books for young adults"; and the subjects "dysfunctional families" and "family relationships."
These books have the appeal factors emotionally intense, haunting, and nonlinear, and they have the theme "unhappy families"; the subjects "dysfunctional families" and "family violence"; and characters that are "complex characters" and "authentic characters."
These books have the appeal factors emotionally intense, character-driven, and multiple perspectives, and they have the genre "literary fiction"; the subject "family violence"; and characters that are "complex characters," "authentic characters," and "sympathetic characters."
These books have the appeal factors emotionally intense, haunting, and lyrical, and they have the genres "literary fiction" and "adult books for young adults"; and characters that are "complex characters" and "flawed characters."
Coming of age at the end of days - LaPlante, Alice
Teenage girls at odds with those around them -- because of a divine pregnancy in Girl Who, and chronic untreated depression in End of Days -- struggle with oppressive family dynamics and their own inner fears in these bleak modern tales. -- Kim Burton
These books have the appeal factors haunting, lyrical, and first person narratives, and they have the genres "literary fiction" and "adult books for young adults"; the subject "secrets"; and characters that are "complex characters" and "authentic characters."
These books have the appeal factors haunting and stylistically complex, and they have the theme "unhappy families"; the genres "literary fiction" and "adult books for young adults"; the subjects "dysfunctional families" and "family relationships"; and characters that are "complex characters" and "flawed characters."
These books have the appeal factors emotionally intense, haunting, and thoughtful, and they have the theme "unhappy families"; and the subjects "sisters," "dysfunctional families," and "family relationships."
These books have the appeal factors haunting and stylistically complex, and they have the genres "literary fiction" and "adult books for young adults"; the subjects "pregnant teenagers," "sisters," and "small towns"; and characters that are "complex characters."
These books have the appeal factors haunting and bleak, and they have the theme "unhappy families"; the genres "literary fiction" and "adult books for young adults"; the subjects "sisters," "dysfunctional families," and "conflict in families"; and characters that are "complex characters," "authentic characters," and "sympathetic characters."
These books have the appeal factors emotionally intense, moving, and thoughtful, and they have the genre "literary fiction"; and the subjects "sisters," "mothers and daughters," and "secrets."
The effects of small-town and communal life in mid-twentieth century America are examined through the teenage rebellion of young girls in these heart-wrenching coming-of-age novels. Both feature flawed characters who harm themselves in their quest for personal identity. -- Jen Baker

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These authors' works have the appeal factors haunting and stylistically complex, and they have the subjects "sisters," "faith (christianity)," and "control"; include the identity "christian"; and characters that are "complex characters."
These authors' works have the appeal factors emotionally intense, haunting, and stylistically complex, and they have the genre "literary fiction"; the subjects "sisters," "small towns," and "family violence"; and characters that are "complex characters," "authentic characters," and "flawed characters."
These authors' works have the appeal factors emotionally intense, stylistically complex, and multiple perspectives, and they have the genres "literary fiction" and "psychological fiction"; the subjects "pregnant teenagers," "faith (christianity)," and "small towns"; include the identity "christian"; and characters that are "complex characters."
These authors' works have the appeal factors emotionally intense and thoughtful, and they have the genre "literary fiction"; the subject "family violence"; and characters that are "complex characters."
These authors' works have the appeal factors emotionally intense, character-driven, and multiple perspectives, and they have the genre "literary fiction"; the subject "family violence"; and characters that are "complex characters," "authentic characters," and "sympathetic characters."
These authors' works have the appeal factors multiple perspectives and stream of consciousness, and they have the subjects "sisters," "fundamentalists," and "women"; and characters that are "complex characters."
These authors' works have the appeal factors emotionally intense, stylistically complex, and multiple perspectives, and they have the genre "literary fiction"; and characters that are "complex characters" and "authentic characters."
These authors' works have the appeal factors emotionally intense, haunting, and moving, and they have the genre "literary fiction"; and the subjects "emotional abuse" and "family violence."
These authors' works have the appeal factors emotionally intense, haunting, and nonlinear, and they have the genres "literary fiction" and "psychological fiction"; the subject "family violence"; and characters that are "complex characters."
These authors' works have the appeal factors emotionally intense and multiple perspectives, and they have the genres "literary fiction" and "psychological fiction"; the subjects "pregnant teenagers," "faith (christianity)," and "christianity"; and characters that are "complex characters."
These authors' works have the appeal factors haunting, and they have the genres "literary fiction" and "psychological fiction"; and the subjects "sisters," "mothers and daughters," and "fathers and daughters."
These authors' works have the appeal factors emotionally intense, haunting, and lyrical, and they have the subjects "small towns," "postpartum depression," and "small town life"; and characters that are "complex characters" and "authentic characters."

Published Reviews

Booklist Review

As Oren Quanbeck realizes, the problem with living by a narrowly defined playbook is that you might not always be ready for the curveball. In the small town of Arco, Idaho, in 1970, the Harvard-educated astronomer has insisted on a strict Christian upbringing for his daughters, the teens, morally upright Grace and fun-loving Jory, and little Frances. So when Grace returns from a service trip to Mexico and announces she is pregnant with the child of God, life derails. Packing Grace and Jory off to a house on the other end of town seems like the one viable option to Oren and his depressed wife. It is only here, depending on the kindness of strangers, that the older Quanbeck girls get a peek at the larger world. Populated with vibrant, three-dimensional characters and filled with lighthearted moments, pitch-perfect dialogue, and evocative descriptions of the Idaho countryside, Brelinski's debut is a memorable twist on the coming-of-age narrative. It is a piercing yet nuanced exploration of toxic parenting, guilt, manipulation, cowardice, and other human frailties, and the claustrophobic grip exerted by the ties that bind.--Apte, Poornima Copyright 2015 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Powered by Syndetics

Publisher's Weekly Review

In the summer of 1970, just before her 14th birthday, Jory Quanbeck's father deposits her, along with her sister, Grace, in a small house on the outskirts of Arco, Idaho. As Jory later attempts to explain the situation to their elderly neighbor, Mrs. Kleinfelter, "We're having some family problems." Those problems, viewed through Jory's eyes, are at the center of Brelinski's intriguing story of a close evangelical Christian family. At age 17, Grace has embraced witnessing for her faith, and she travels with other Garden of Gethsemane Church members on a mission to Mexico. But she is sent home early, pregnant with (she insists) the child of God. Without parental guidance and without Grace paying much attention, Jory makes some bad teenage choices, especially in befriending Grip, the drug-dealing ice cream truck driver, as she tries to make sense of what's happened to Grace. In her debut novel, Brelinski makes Jory's solitude nearly palpable and dissects the dynamics of family through Jory's life on the fringe of society, and the result is fascinating. Agent: P.J. Mark, Janklow & Nesbit Associates. (Aug.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Powered by Syndetics

Library Journal Review

Set in rural Idaho in 1970, -Brelinski's engaging debut traces one year in the life of high school freshman and social outcast Jory Quanbeck as she struggles with her strict parents, pious elder sister Grace, carefree younger sister Frances, and everyone else in her sleepy town. That all changes when Grace becomes pregnant-she claims with the child of God-and the distraught -Quanbeck parents abandon their eldest daughters, both teenagers, in a house on the outskirts of town. Brelinski delivers a heartrending portrait of the challenges of accepting and rejecting both faith and family and realizing that decisions aren't always so straightforward. In their quest for a substitute family, Jory and Grace take solace in the company of Mrs. Kleinfelter, an eccentric widow who becomes their de facto grandmother, and Grip, a young man with a troubled past who drives the local ice cream truck. The author eschews a stereotypical ending for a realistic one, expertly relaying the lingering effects of Mrs. -Quanbeck's longtime battle with depression on each daughter as well as Jory's continuing search for a trusted friend. VERDICT Essential for fiction collections and sure to have YA crossover appeal as many will be able to relate to creating their own family and questioning their own faith. [See Prepub Alert, 2/9/15.]-Stephanie Sendaula, Library Journal © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Kirkus Book Review

A family of evangelical Christians is derailed by a daughter's pregnancy. In 1970, Jory, 13 going on 14, is growing up befuddled as the middle daughter of the Quanbecks, who contain their children in a religious and moral bubble as impervious as the bomb shelter in their garage. Jory's father, Oren, a Harvard-educated astronomer, runs midnight laps in the backyard of their Arco, Idaho, home, and her mother, Esther, often takes to her bed with headaches. A bland, macrobiotic, sugar-free diet is rigorously enforced. Grace, 17, eldest daughter and the pride of the family, goes off to Mexico on a church mission but soon returns home, pregnant. She insists that God is the father of her child. The Quanbecks buy an isolated farmhouse on the outskirts of town and send Grace there to wait out her gestation period, with Jory as unwilling companion. Jory is appalled by the prospect of attending the oddly named Schism High School instead of Arco Christian Academy. Not only does Schism require a whole new wardrobebell bottoms and T-shirts instead of long skirts and modest blousesbut a whole new lifestyle. As kindly neighbor lady Mrs. Kleinfelter and Grip, a good-hearted ice cream man with a dubious past, act as eccentric mentors, Jory manages to weather her co-exile. Since the novel is told entirely from Jory's point of view, and Grace does nothing much except stay home, the emphasis is, for some time, on vividly evoked but conventional scenes of teenage angst, as Jory worries about gym class, her first period, her popularity, an upcoming homecoming dance, etc. The action accelerates and so do the stakes when Grip introduces Grace and Jory to a hippie enclave, and Gracevery abruptly, since she has seemed so devoutembraces the counterculture. The repercussions of this for the entire Quanbeck family are dire indeed. Despite the wrenching shift in tone, a soulful exploration of the limits and consequences of familial control. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Powered by Syndetics

Booklist Reviews

As Oren Quanbeck realizes, the problem with living by a narrowly defined playbook is that you might not always be ready for the curveball. In the small town of Arco, Idaho, in 1970, the Harvard-educated astronomer has insisted on a strict Christian upbringing for his daughters, the teens, morally upright Grace and fun-loving Jory, and little Frances. So when Grace returns from a service trip to Mexico and announces she is pregnant with the child of God, life derails. Packing Grace and Jory off to a house on the other end of town seems like the one viable option to Oren and his depressed wife. It is only here, depending on the kindness of strangers, that the older Quanbeck girls get a peek at the larger world. Populated with vibrant, three-dimensional characters and filled with lighthearted moments, pitch-perfect dialogue, and evocative descriptions of the Idaho countryside, Brelinski's debut is a memorable twist on the coming-of-age narrative. It is a piercing yet nuanced exploration of toxic parenting, guilt, manipulation, cowardice, and other human frailties, and the claustrophobic grip exerted by the ties that bind. Copyright 2014 Booklist Reviews.

Copyright 2014 Booklist Reviews.
Powered by Content Cafe

Library Journal Reviews

Devout, moralizing Grace lives with her sisters and upright parents in 1970s Idaho, with the family showing only the expected little cracks until Grace returns home from a missionary trip to Mexico and announces that she is pregnant with a child she claims to be God's. She's promptly sent with sister Jory to live on the town's border, where they create their own family while awaiting the momentous birth. High hopes for this book by Stegner Fellow Brelinski; with a 40,000-copy first printing.

[Page 68]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Content Cafe

Library Journal Reviews

Set in rural Idaho in 1970, Brelinski's engaging debut traces one year in the life of high school freshman and social outcast Jory Quanbeck as she struggles with her strict parents, pious elder sister Grace, carefree younger sister Frances, and everyone else in her sleepy town. That all changes when Grace becomes pregnant—she claims with the child of God—and the distraught Quanbeck parents abandon their eldest daughters, both teenagers, in a house on the outskirts of town. Brelinski delivers a heartrending portrait of the challenges of accepting and rejecting both faith and family and realizing that decisions aren't always so straightforward. In their quest for a substitute family, Jory and Grace take solace in the company of Mrs. Kleinfelter, an eccentric widow who becomes their de facto grandmother, and Grip, a young man with a troubled past who drives the local ice cream truck. The author eschews a stereotypical ending for a realistic one, expertly relaying the lingering effects of Mrs. Quanbeck's longtime battle with depression on each daughter as well as Jory's continuing search for a trusted friend. VERDICT Essential for fiction collections and sure to have YA crossover appeal as many will be able to relate to creating their own family and questioning their own faith. [See Prepub Alert, 2/9/15.]—Stephanie Sendaula, Library Journal

[Page 60]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Content Cafe

Publishers Weekly Reviews

In the summer of 1970, just before her 14th birthday, Jory Quanbeck's father deposits her, along with her sister, Grace, in a small house on the outskirts of Arco, Idaho. As Jory later attempts to explain the situation to their elderly neighbor, Mrs. Kleinfelter, "We're having some family problems." Those problems, viewed through Jory's eyes, are at the center of Brelinski's intriguing story of a close evangelical Christian family. At age 17, Grace has embraced witnessing for her faith, and she travels with other Garden of Gethsemane Church members on a mission to Mexico. But she is sent home early, pregnant with (she insists) the child of God. Without parental guidance and without Grace paying much attention, Jory makes some bad teenage choices, especially in befriending Grip, the drug-dealing ice cream truck driver, as she tries to make sense of what's happened to Grace. In her debut novel, Brelinski makes Jory's solitude nearly palpable and dissects the dynamics of family through Jory's life on the fringe of society, and the result is fascinating. Agent: P.J. Mark, Janklow & Nesbit Associates. (Aug.)

[Page ]. Copyright 2015 PWxyz LLC

Copyright 2015 PWxyz LLC
Powered by Content Cafe

Reviews from GoodReads

Loading GoodReads Reviews.

Citations

APA Citation, 7th Edition (style guide)

Brelinski, V. (2015). The girl who slept with God . Thorndike Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Brelinski, Val. 2015. The Girl Who Slept With God. Waterville, Maine: Thorndike Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Brelinski, Val. The Girl Who Slept With God Waterville, Maine: Thorndike Press, 2015.

Harvard Citation (style guide)

Brelinski, V. (2015). The girl who slept with god. Waterville, Maine: Thorndike Press.

MLA Citation, 9th Edition (style guide)

Brelinski, Val. The Girl Who Slept With God Thorndike Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Loading Staff View.