War in 140 characters : how social media is reshaping conflict in the twenty-first century
(Book)

Book Cover
Average Rating
Published
New York : Basic Books, [2017].
Status
Central - Adult Nonfiction
355.02 PATRIK
1 available

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Central - Adult Nonfiction355.02 PATRIKAvailable

Description

A leading foreign correspondent looks at how social media has transformed the modern battlefield, and how wars are fought Modern warfare is a war of narratives, where bullets are fired both physically and virtually. Whether you are a president or a terrorist, if you don't understand how to deploy the power of social media effectively you may win the odd battle but you will lose a twenty-first century war. Here, journalist David Patrikarakos draws on unprecedented access to key players to provide a new narrative for modern warfare. He travels thousands of miles across continents to meet a de-radicalized female member of ISIS recruited via Skype, a liberal Russian in Siberia who takes a job manufacturing "Ukrainian" news, and many others to explore the way social media has transformed the way we fight, win, and consume wars-and what this means for the world going forward.

More Details

Format
Book
Edition
First edition.
Physical Desc
x, 301 pages : illustrations ; 25 cm
Street Date
1711
Language
English
ISBN
9780465096145, 046509614X

Notes

Bibliography
Includes bibliographical references (pages 269-283) and index.
Description
"War in 140 Characters examines the role of social media and other forms of 'new media' in changing the face of modern warfare. War is, more than ever, a clash of narratives--with each state/party fighting to control the spread of information and project their narrative to the outside world. Social media has shattered traditional hierarchies between the state and its citizens, enabling the individual or networks of individuals to influence the direction of conflict to a degree previously thought impossible. State militaries now employ official Social Media warriors to influence the narrative online; in Russia, paid trolls flood the internet with pro-Russian tweets, blog posts, and comments in order to create the sense of "authentic" support for the annexation of Crimea. Even private civilians can single-handedly alter the course of war. New media has expanded the arena of conflict into the virtual world, which is every bit as real and often more important than the fighting on the ground. Whether you are a president or a terrorist, if you don't understand how to deploy the power of media effectively you may win the odd battle but you will lose a twenty-first century war. War in 140 Characters provides a new narrative for modern warfare, exploring the way social media has transformed the way that we fight, win, and consume wars, and what that means for the world going forward."--Provided by publisher.

Table of Contents

The citizen journalist : stories versus guns
The soldier : the state flounders, homo digitalis emerges
The officer : militia digitalis takes to the "battlefield"
The Facebook warrior 1 : the virtual state
The Facebook warrior 2 : homo digitalis on the battlefield
The troll : the empire strikes back
The post-modern dictator: adventures in unreality
The interpreter 1 : from the bedroom to the battlefield
The interpreter 2 : man versus superpower
The recruit : friends are close but enemies are closer
The counterterrorist : Goliath versus a thousand slingshots
Conclusion.

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Published Reviews

Library Journal Review

Patrikarakos (contributing editor, the Daily Beast; contributor, Politico; Nuclear Iran) here explores the information warfare that has defined the current political era. In this book, readers explore the new and rapidly changing worldwide information warfare made possible by social media. The departure point for the thesis unpacked here is that prevailing and counter prevailing narratives are no longer controlled by state actors and state media, but that social platforms with citizen reporters can provide compelling narratives and accounts that provide new authoritative news sources of events. We are shown how state actors have struggled to adapt to new information environments made possible by social media and user-generated content. By employing a series of case studies on the use of social media platforms in modern global events from the revolutions in Ukraine to the rise of ISIS, this work shows the complexities and challenges of the information wars to come. VERDICT For political science and media studies readers interested in a deep dive on the ways in which social media are being used by state and nonstate actors for disseminating information in the digital era.-Jim Hahn, Univ. Lib., Univ. of Illinois, Urbana © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

We shall fight them on the beaches, we shall fight them on the landing grounds, we shall fight them with our thumbs."War, a virus, must mutate to survive." So writes political journalist Patrikarakos (Nuclear Iran: The Birth of an Atomic State, 2012), who posits that in at least one manifestation of modern war, what matters is less boots-on-the-ground victory than which narrative about what's happening emerges as the most convincing. In that regard, marketing, public relations, and counterintelligence become as critical as special ops forces. The author finds an example in his own experience in Ukraine as Russian separatists attempted to carve off a portion of the country as well as in a close study of the Islamic State group and other nonstate actors. This kind of warfare is nebulous, fought between nation-states and sometimes not easily identified enemies, and it often involves citizens, individually or in network; it is open-ended, and because of that, it is not easy to determine when and how victory or defeat can be declared. The great avatar of this new warfare, writes the author, is Donald Trump, who "employed Twitter as one of his primary campaign tools"and continues to do so in office. "This is both a force for good," writes Patrikarakos, "in that it brings greater transparency, and a force for ill, in that it is destabilizing." Destroying any semblance of stability being the great desideratum of strongmen and terrorists alike, social media is now a much-used weapon in the modern arsenal. Traveling from "troll farms" in Russia to jihadi corners of YouTube, the author studies how social media is used to undermine truthful accounts of events, recruit radicals, sow confusion, and overturn old doctrines of warfare. "How do you defeat Islamic State," he writes meaningfully, "when its demands are such that it can never be met?" The great enemy of social media, it would seem, is any notion of objective truth. This eye-opening book reveals a theater of conflict that aims to destroy reality, waged by all sides. Copyright Kirkus Reviews, used with permission.

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Library Journal Reviews

Patrikarakos (contributing editor, the Daily Beast; contributor, Politico; Nuclear Iran) here explores the information warfare that has defined the current political era. In this book, readers explore the new and rapidly changing worldwide information warfare made possible by social media. The departure point for the thesis unpacked here is that prevailing and counter prevailing narratives are no longer controlled by state actors and state media, but that social platforms with citizen reporters can provide compelling narratives and accounts that provide new authoritative news sources of events. We are shown how state actors have struggled to adapt to new information environments made possible by social media and user-generated content. By employing a series of case studies on the use of social media platforms in modern global events from the revolutions in Ukraine to the rise of ISIS, this work shows the complexities and challenges of the information wars to come. VERDICT For political science and media studies readers interested in a deep dive on the ways in which social media are being used by state and nonstate actors for disseminating information in the digital era.—Jim Hahn, Univ. Lib., Univ. of Illinois, Urbana

Copyright 2017 Library Journal.

Copyright 2017 Library Journal.
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Citations

APA Citation, 7th Edition (style guide)

Patrikarakos, D. (2017). War in 140 characters: how social media is reshaping conflict in the twenty-first century (First edition.). Basic Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Patrikarakos, David, 1977-. 2017. War in 140 Characters: How Social Media Is Reshaping Conflict in the Twenty-first Century. New York: Basic Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Patrikarakos, David, 1977-. War in 140 Characters: How Social Media Is Reshaping Conflict in the Twenty-first Century New York: Basic Books, 2017.

Harvard Citation (style guide)

Patrikarakos, D. (2017). War in 140 characters: how social media is reshaping conflict in the twenty-first century. First edn. New York: Basic Books.

MLA Citation, 9th Edition (style guide)

Patrikarakos, David. War in 140 Characters: How Social Media Is Reshaping Conflict in the Twenty-first Century First edition., Basic Books, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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