Hidden faces : covered portraits of the Renaissance
(Book)
Contributors
Nogueira, Alison Manges, writer of added commentary,
Ainsworth, Maryan W., writer of added commentary.
Whistler, Catherine, writer of added commentary.
Waterman, Joshua P., 1974- writer of added commentary.
Dülberg, Angelica, writer of added commentary.
Ainsworth, Maryan W., writer of added commentary.
Whistler, Catherine, writer of added commentary.
Waterman, Joshua P., 1974- writer of added commentary.
Dülberg, Angelica, writer of added commentary.
Published
New York : The Metropolitan Museum of Art, [2024].
Status
Westover - Adult Nonfiction - NEW
704.942 HIDDE
1 available
704.942 HIDDE
1 available
Copies
Location | Call Number | Status |
---|---|---|
Westover - Adult Nonfiction - NEW | 704.942 HIDDE | Available |
Description
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More Details
Published
New York : The Metropolitan Museum of Art, [2024].
Format
Book
Physical Desc
232 pages : illustrations ; 27 cm
Language
English
Notes
General Note
"This catalogue is published in conjunction with "Hidden faces: covered portraits of the Renaissance," on view at The Metropolitan Museum of Art, New York, from April 1 through July 7, 2024."--Colophon
Bibliography
Includes bibliographical references (pages 213-225) and index
Description
"This exhibition is the first to examine an intriguing but largely unknown side--in the literal sense--of Renaissance painting: multisided portraits in which the sitter's likeness was concealed by a hinged or sliding cover, within a box, or by a dual-faced format. The covers and reverses of these small, private portraits were adorned with puzzlelike emblems, epigrams, allegories, and mythologies that celebrated the sitter's character, and they represent some of the most inventive and unique secular imagery of the Renaissance. The viewer had to decode the meaning of the symbolic portrait before lifting, sliding, or turning the image over to unmask the face below. This widespread tradition in Italy and Northern Europe during the 15th and 16th centuries will be explored through approximately 60 double-sided and covered portraits from The Met collection and other American and European institutions, including the reunion of several portraits and their covers that had been split and made part of separate collections. Painted by artists such as Hans Memling, Lucas Cranach, Lorenzo Lotto, and Titian, the works range from portraits intended as portable propaganda to those designed to conceal a lover's identity. These varied three-dimensional, hand-held ensembles shed significant light upon the intimate and personal nature of portraits designed as interactive objects." --,Metropolitan Museum of Art.,https://www.metmuseum.org/exhibitions/hidden-faces-covered-portraits-of-the-renaissance
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Citations
APA Citation, 7th Edition (style guide)
Nogueira, A. M., Ainsworth, M. W., Whistler, C., Waterman, J. P., & Dülberg, A. (2024). Hidden faces: covered portraits of the Renaissance . The Metropolitan Museum of Art.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Alison Manges, Nogueira et al.. 2024. Hidden Faces: Covered Portraits of the Renaissance. The Metropolitan Museum of Art.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Alison Manges, Nogueira et al.. Hidden Faces: Covered Portraits of the Renaissance The Metropolitan Museum of Art, 2024.
MLA Citation, 9th Edition (style guide)Nogueira, Alison Manges,, et al. Hidden Faces: Covered Portraits of the Renaissance The Metropolitan Museum of Art, 2024.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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