Coming into the country
(Book)

Book Cover
Average Rating
Published
New York : Farrar, Straus and Giroux, 1977.
Status

Copies

LocationCall NumberStatusDue Date
Aurora Hills - Adult Nonfiction979.8 MCPHEChecked OutJune 3, 2025

Description

Coming into the Country is an unforgettable account of Alaska and Alaskans. It is a rich tapestry of vivid characters, observed landscapes, and descriptive narrative, in three principal segments that deal, respectively, with a total wilderness, with urban Alaska, and with life in the remoteness of the bush. Readers of McPhee's earlier books will not be unprepared for his surprising shifts of scene and ordering of events, brilliantly combined into an organic whole. In the course of this volume we are made acquainted with the lore and techniques of placer mining, the habits and legends of the barren-ground grizzly, the outlook of a young Athapaskan chief, and tales of the fortitude of settlers-ordinary people compelled by extraordinary dreams. Coming into the Country unites a vast region of America with one of America's notable literary craftsmen, singularly qualified to do justice to the scale and grandeur of the design.

More Details

Format
Book
Edition
First edition.
Physical Desc
438 pages : maps ; 22 cm
Language
English
ISBN
0374126453, 0374522871

Notes

Awards
National Book Critics Circle Award for Nonfiction Finalist
Local note
Publisher varies.

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John McPhee and Simon Winchester bridge the gap between the specialist and the average reader with clear, jargon-free prose. They often focus on geology and natural resources, but with any topic, they turn it into an exciting and compelling read, partly by including intriguing people readers can identify with. -- Katherine Johnson
Though much less strident than the acerbic Edward Abbey, John McPhee is also a master of writing about the natural world. Both authors are often present in their stories, though McPhee is generally a catalyst rather than a part of the action. -- Krista Biggs
Farley Mowat and John McPhee are great travel writers, and love to recount their experiences, tell about the people they meet, and discuss the science they find there. Their descriptive and thought-provoking writing leaves an impression and makes readers want to know more. -- Melissa Gray
The relationship between humans and the places they inhabit is a shared theme of these accessible science writers. Both richly describe environments, flora and fauna, and the consequences of natural and artificial changes. They bring a persuasive understanding of natural history and human endeavors to explain our current world. -- Matthew Ransom
Both essayists who have written for the New Yorker offer thoughtful considerations of a larger issue or place. However, Ian Frazier tends to focus on his own reaction to the people and places he encounters, while John McPhee gives voice to the people he meets along the way. -- Autumn Winters
Studs Terkel brings a strong feel for the character and an interest in people's lives to his work. He is a master of getting people to talk about their work and their passions. Like John McPhee, Terkel often uses his own passions as a jumping-off point for his writing. -- Krista Biggs
Edwin Way Teale blends interesting people and settings with a deep affection for and understanding of the outdoors. He describes terrain and season in the natural world and relates intriguing encounters with scientists, naturalists, and others dedicated to its study. John McPhee's readers will appreciate Teale's love for nature. -- Krista Biggs
Sue Hubbell brings a sense of the world to readers. Her tone conveys her delight in the discovery of unusual facts, showing the extraordinary in the ordinary. Like John McPhee, Hubbell reports the stories of scientists and laboratory researchers, giving her work a human scale. -- Krista Biggs
John McPhee and Richard Rhodes blend interesting people with hard facts. They are known for the depth of their research and can make complex science understandable while writing perceptively about the natural world. Both bring a sense of scale to the broader story by relating the lives of the people involved. -- Krista Biggs
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Published Reviews

Kirkus Book Review

Alaska: the last frontier, a land of insulated stalwarts, climatic exigencies, and nineteen streams named Salmon. McPhee came into the country as a capital dilemma was being resolved--the search for a site apart from staid, remote Juneau and sleazy, neon Anchorage--a few years after the Native Claims Settlement Act had enriched the Indian population, indirectly enabling Alyeska to cable home. His deftly stratified report, written with a strong sense of place, includes a river trip with assorted ""ecomorphs,"" short flights with the factious capital search committee, and a nonpareil section on town folk and people of the bush. Townspeople come from Pennsylvania or Texas or South Dakota, repudiating less worthy lifestyles. In some ways small-town life resembles suburban styles in the Lower Forty-eight: although produce suffers from jet lag and peanut butter jars often contain gold dust, a local storekeeper is nicknamed Taiwan (because of his merchandise), neighbors squabble incessantly, alcoholism and unemployment are chronic. Those in the bush are a prickly, competitive lot, intent on a life ""beyond community""; many live out childhood dreams of self-reliance; a few admit to serial frictions in pre-Alaska days. They grow or catch most of their food, make their own clothes, and tacitly vie for Most Independent. Anchorage is indistinguishable from Albuquerque (""You can smell the greed in the air""); Sierra Club types are less popular than grizzlies; and lately a synonym for native is stockholder. More significant than the petty rivalries and personal histories are resident conflicts over rights--development, conservation, individual enterprise--which are reminiscent of the rancher/farmer tensions of pioneer days and will ultimately determine the future of the landscape. As in his other books, McPhee's seemingly effortless work is a polished composition which replaces stereotypes with cross-hatched figures and allows the odd detail, the offhand remark to enlarge the scene (systematically probed in Lost Frontier, p. 1023). Flecked with irony, written with rhythm and style--and more than the sum of its parts. Copyright ©Kirkus Reviews, used with permission.

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Citations

APA Citation, 7th Edition (style guide)

McPhee, J. (1977). Coming into the country (First edition.). Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

McPhee, John, 1931-. 1977. Coming Into the Country. New York: Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

McPhee, John, 1931-. Coming Into the Country New York: Farrar, Straus and Giroux, 1977.

Harvard Citation (style guide)

McPhee, J. (1977). Coming into the country. First edn. New York: Farrar, Straus and Giroux.

MLA Citation, 9th Edition (style guide)

McPhee, John. Coming Into the Country First edition., Farrar, Straus and Giroux, 1977.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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