Esperanza and her mother are forced to leave their life of wealth and privilege in Mexico to go work in the labor camps of Southern California, where they must adapt to the harsh circumstances facing Mexican farm workers on the eve of the Great Depression.

In Silver Springs, Arizona, her mother's stories of the monstrous La Llorona are thrilling but unbelievable to science-loving Paola until she and her best friends Dante and Emma take a walk through a cactus field near the Gila River.

To get the "ratoncitos," little mice, who have moved into the barrio to come to his house, Chato the cat prepares all kinds of good food: fajitas, frijoles, salsa, enchiladas, and more.

When Sabrina's grandmother visits from Mexico, she brings gifts that make Sabrina feel like a Mayan princess.

Newly-arrived in the United States from Mexico, Carmen is apprehensive about going to school and learning English.

"Seventh grader Estefania "Stef" Soto is itching to shake off the onion-and-cilantro embrace of Tia Perla, her family's taco truck. She wants nothing more than for her dad to get a normal job and for Tia Perla to be put out to pasture. It's no fun being known as the "Taco Queen" at school. But just when it looks like Stef is going to get exactly what she wants, and her family's livelihood is threatened, she will have to become the truck's unlikely...

Lupe, Flapjack, and Elirio customize their car into a lowrider for the Universal Car Competition to win the cash prize that'll enable them to buy their own garage.

When Margie's cousin Lupe comes from Mexico to live in California with Margie's family, Lupe must adapt to America, while Margie, who thought it would be fun to have her cousin there, finds that she is embarrassed by her in school and jealous of her at home.

Months after confronting the legendary La Llorona, Paola starts dreaming again, this time about fantasmas that are stalking her and someone who might be even more dangerous--her estranged father.

When his family moves from a small Mexican village to North Carolina, Eduardo asks how soon he will feel at home, and slowly his Tio Miguel's seemingly impossible replies come true until, at last, he can put out the Nativity scene he carved with his grandfather.