Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world

Perception is one of the oldest and most deeply investigated topics in the field of psychology, and it is also raises some profound philosophical questions. It is concerned with how we use the information reaching our senses to guide and control our behaviour as well as to create our particular, subjective experiences of the surrounding world. In this Very Short Introduction, Brian J. Rogers discusses the philosophical question of what it means

The critically acclaimed novelist and social critic Aldous Huxley, describes his personal experimentation with the drug mescaline and explores the nature of visionary experience. The title of this classic comes from William Blake's The Marriage of Heaven and Hell: "If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."

Why is it that we react to the world the way we do, not only in ways similar to other people, but in ways often dramatically different, as well, no matter which of our senses is involved? And how is it that the physically adventurous young person you remember being - whose greatest passion was riding the scariest roller coaster imaginable - somehow grew into an adult whose stomach begins to churn nervously at even the thought of such a ride? The