"From his early seventies dispatches as a fledgling critic for The Village Voice on rock 'n roll, movies, and television, to the literary criticism of the eighties and nineties that made him both feared and famous, to his must-read reports on the cultural weather for Vanity Fair, James Wolcott has had a career as a freelance critic and an intellectual nearly unique in our time. This collection features the best of Wolcott in whatever guise-connoisseur,...

"There is a common belief that we live in unprecedented times, that people are too sensitive today, that nobody objected to the actions of actors, comedians, and filmmakers in the past. Modern pundits would have us believe that Americans of a previous generation had tougher skin and seldom complained. But does this argument hold up to scrutiny? In Outrageous, celebrated cultural historian Kliph Nesteroff demonstrates that Americans have been objecting...

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics.

Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

Here are our loves and hates,

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"For readers of Hidden Figures and Something Wonderful, Footnotes is the story of New York in the roaring twenties and the first Broadway show with an all-Black cast and creative team to achieve success-and its impact on our popular culture. Amidst a culture actively whitewashing, controlling, or trying to prevent their stories from being told, these artists changed the course of American entertainment. This groundbreaking group of performers and...

The African-American actors and actresses whose names have shone brightly on Broadway marquees earned their place in history not only through hard work, perseverance, and talent, but also because of the legacy left by those who came before them. Like the doors of many professions, those of the theater world were shut to minorities for decades. While the Civil War may have freed the slaves, it was not until the Civil Rights Movement of the 1960s that...

"Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together . . . until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips....

"Era la década de 1940 en la segregada cuidad de Nueva York. Ya sea que bailaras al sonido de las trompetas y los saxofones en un salón en el barrio italiano o en la calle al son de maracas y congas en el barrio puertorriqueño, generalmente bailabas en el lugar donde vivías y con gente de tu mismo origen. Pero antes de que terminara la década, una nueva sala de baile -- el Palladium -- acogió a personas de todos los vecindarios. Cuando Millie...