Sound and Image : Aesthetics and Practices.
Published
[Place of publication not identified] : Focal Press, 2020.
Status
Available Online
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Format
Edition
First edition.
Language
English
ISBN
9780429295102, 0429295103, 9781000069853, 1000069850, 9781000069945, 100006994X, 9781000069761, 1000069761
UPC
10.4324/9780429295102
Notes
Bibliography
Includes bibliographical references and index.
Description
Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume's interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.
Biographical or Historical Data
Andrew Knight-Hill is a composer specialising in studio composed works, both sound-based electroacoustic and audiovisual. He is Senior Lecturer in Sound Design and Music Technology at the University of Greenwich, programme leader of Sound Design BA, director of the Loudspeaker Orchestra Concert Series and convenor of the annual SOUND/IMAGE conference.
Local note
O'Reilly,O'Reilly Online Learning: Academic/Public Library Edition
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Citations
APA Citation, 7th Edition (style guide)
Knight-Hill, A. (2020). Sound and Image: Aesthetics and Practices (First edition.). Focal Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Knight-Hill, Andrew. 2020. Sound and Image: Aesthetics and Practices. Focal Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Knight-Hill, Andrew. Sound and Image: Aesthetics and Practices Focal Press, 2020.
MLA Citation, 9th Edition (style guide)Knight-Hill, Andrew. Sound and Image: Aesthetics and Practices First edition., Focal Press, 2020.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouped Work ID
4d041f63-ffa7-198f-affb-e1113a2bc6c3-eng
Grouping Information
| Grouped Work ID | 4d041f63-ffa7-198f-affb-e1113a2bc6c3-eng |
|---|---|
| Full title | sound and image aesthetics and practices |
| Author | focal press |
| Grouping Category | book |
| Last Update | 2024-03-29 07:51:22AM |
| Last Indexed | 2024-05-21 02:32:29AM |
Book Cover Information
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| 250 | |a First edition. | ||
| 264 | 1 | |a [Place of publication not identified] :|b Focal Press,|c 2020. | |
| 300 | |a 1 online resource (xviii, 396 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 1. Connected Media, Connected Idioms: The Relationship Between Video and Electroacoustic Music From A Composer's PerspectiveDiego Garro2. Sound/Image Relations in Videomusic: A Typological PropositionMyriam Boucher & Jean Piché3. The Question of Form in Visual MusicMaura McDonnell4. Audiovisual Spaces: Spatiality, Experience and Potentiality in Audiovisual CompositionAndrew Knight-Hill5. Rhythm as The Intermediary of Audiovisual FusionsDaniel Von Rüdiger6. The Curious Case of The Plastic Hair-Comb: A Rhythm-Based Approach to A Parallel (Sound-Image-Touch) Theory of Aesthetic PracticesMatthew Galea7. The Spaces Between Gesture, Sound and Image Mark Pedersen, Brigid Burke Roger Alsop8. The Gift of Sound and Vision: Visual Music as A Form of Glossolalic Speech Philip Sanderson9. Visual Music and Embodied Visceral AffectJulie Watkins10. The Function of Mickey-Mousing: A Re-AssessmentEmilio Audissino11. Performing the Real: Audiovisual Documentary Performances and The SensesCornelia Lund 12. Blending Image and Music in Jim Jarmusch's CinemaCeline Murillo13. The New Analogue: Media Archaeology as Creative Practice in 21st-Century Audiovisual ArtJoseph Hyde14. Screen Grammar for Mobile Frame Media: The Audiovisual Language of Cinematic Virtual Reality, Case Studies and Analysis Sam Gillies15. Nature Morte: Examining the Sonic and Visual Potential of a 16mm filmJim Hobbs16. Capturing Movement: A Videomusical Approach Sourced in The Natural EnvironmentMyriam Boucher17. Constructing Visual Music Images with Electroacoustic Music ConceptsMaura McDonnell18. Technique and Audiovisual Counterpoint in The Estuaries SeriesBret Battey19. Exploring Expanded Audiovisual Formats (EAFs) -- A Practitioner's PerspectiveLouise Harris20. Making A Motion Score: A Graphical and Genealogical Inquiry into A Multi-Screen CinegraphyLeyokki21. The Human Body as an Audiovisual InstrumentClaudia Robles-Angel22. Sound -- [Object] -- Dance: A Holistic Approach to Interdisciplinary CompositionJung In Jung23. Son e(s)t Lumière: Expanding Notions of Composition, Transcription and Tangibility Through Creative Sonification Of Digital ImagesSimon Cummings24. Audiovisual Heterophony: A Musical Reading of Walter Ruttmann's Film Lichtspiel Opus 3 (1924)Tom Reid | |
| 520 | |a Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume's interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image. | ||
| 545 | 0 | |a Andrew Knight-Hill is a composer specialising in studio composed works, both sound-based electroacoustic and audiovisual. He is Senior Lecturer in Sound Design and Music Technology at the University of Greenwich, programme leader of Sound Design BA, director of the Loudspeaker Orchestra Concert Series and convenor of the annual SOUND/IMAGE conference. | |
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| 650 | 0 | |a Motion picture music|x Philosophy and aesthetics. | |
| 650 | 0 | |a Experimental films|x History and criticism.|9 80704 | |
| 650 | 0 | |a Mixed media (Music)|x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc.|2 fast|0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Knight-Hill, Andrew | |
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