Published to coincide with the film's 50th anniversary, an ultimate fan book shares behind-the-scenes facts about The Sound of Music's filming in Austria and Hollywood and incorporates new interviews with production insiders, including Johannes von Trapp.

"In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. Despite its riveting production history, charismatic lead actors, and classic musical moments, the movie has not received the same attention as other musicals from MGM's storied dream factory. In C'mon, Get Happy: The Making of "Summer Stock," authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion...

When films like The Jazz Singer started to integrate synchronized music, in the late 1920s many ambitious songwriting pioneers of the Great White Way - George and Ira Gershwin, Cole Porter, Richard Rodgers, and Lorenz Hart, among many others - were enticed westward by Hollywood studios' promises of national exposure and top dollar success. But what happened when writers native to the business of Broadway ran into the very different business of Hollywood?...

Video adaptation of the Glyndebourne Festival Opera stage production directed by Trevor Nunn. The Gershwins' classic musical drama portrays the lives of the occupants of Catfish Row. Includes synopsis in English, French, German and Italian.

Documentary about the life of Billie Holiday, directed by James Erskine.

"Drawn from a cache of personal video recordings from the past 22 years, director Steve Loveridge's Sundance award winning MATANGI / MAYA / M.I.A. is a startlingly personal profile of the critically acclaimed artist, chronicling her remarkable journey from refugee immigrant to pop star. She began as Matangi. Daughter of the founder of Sri Lanka's armed Tamil resistance, she hid from the government in the face of a vicious and bloody civil war. When...

The dynamic film of the 1972 Los Angeles event attended by over 100,000 concertgoers and first billed as the 'black Woodstock,' gets ya plenty. Its performances burn with vitality. Its forays into the neighborhood are a time capsule of pride and pain. And the Richard Pryor comedy riffs that provide the film2s running commentary are a treasure all by themselves.

Mme. Larina, the mother of Tatiana and Olga, is visited at her country estate by Lenski, a neighboring proprietor, who is engaged to Olga. He brings with him his friend Eugene Onegin. Tatiana, sees in Eugene the hero of her girlish dreams and falls in love with him. In a letter to Eugene she confesses her love, and appoints a meeting. Eugene keeps the appointment, but returns the girl's letter and advises her to restrain her feelings. For Tatiana's...

"A new look at artist Oscar Hammerstein II as a pivotal and underestimated force in the creation of modern American culture. You know his work--Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better...