Here, Wendell Berry revisits for the first time his immensely popular Collected Poems, which The New York Times Book Review described as "a straightforward search for a life connected to the soil, for marriage as a sacrament, and family life" and "[returns] American poetry to a Wordsworthian clarity of purpose." In New Collected Poems, Berry reprints the nearly two hundred pieces in Collected Poems, along with the poems from his most recent collections-Entries,...

From one of the most brilliant and widely read of all American poets, a generous selection of lyrics, dramatic monologues, and narrative poems--all of them steeped in the wayward and isolated beauty of Frost's native New England. Includes his classics "Mending Wall", "Birches", and "The Road Not Taken", as well as poems less famous but equally great.

Revel in the candid verse of Edna St. Vincent Millay, including such favorites as "The Ballad of the Harp-Weaver" and "Renascence." This lively selection casts Millay's career in a new light. Here are familiar favorites alongside neglected gems: translations, a verse play, songs from her opera libretto "The King's Henchman," and the complete sonnet sequence "Fatal Interview."

"In her striking second collection, Natalie Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limón illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the U.S. and Mexico, and of the politics of the present day. Drawing inspiration from the music of her childhood, her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about...

"A new poetry collection from Pulitzer and T. S. Eliot Prize winner Sharon Olds. "At the time of have-not, I look at myself in this mirror," writes Olds in this self-scouring, exhilarating volume, which opens with a section of quarantine poems, and at its center boasts what she calls Amherst Balladz (whose syntax honors Emily Dickinson: "she was our Girl - our Woman - / Man enough - for me") and many more in her own contemporary, long-flowing-sentence...