Fingersmith
(Libby/OverDrive eBook, Kindle)

Book Cover
Average Rating
Contributors
Published
Penguin Publishing Group , 2002.
Status
Checked Out

Available Platforms

Libby/OverDrive
Titles may be read via Libby/OverDrive. Libby/OverDrive is a free app that allows users to borrow and read digital media from their local library, including ebooks, audiobooks, and magazines. Users can access Libby/OverDrive through the Libby/OverDrive app or online. The app is available for Android and iOS devices.
Kindle
Titles may be read using Kindle devices or with the Kindle app.

Description

From the author of the New York Times Notable Book Tipping the Velvet and the award-winning Affinity: a spellbinding, twisting tale of a great swindle, of fortunes and hearts won and lost, set in Victorian London among a family of thieves. Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby's household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves-fingersmiths-for whom this house in the heart of a mean London slum is home. One day, the most beloved thief of all arrives-Gentleman, a somewhat elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud's vast inheritance. Once the inheritance is secured, Maud will be left to live out her days in a mental hospital. With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways. . . . But no one and nothing is as it seems in this > Dickensian novel of thrills and surprises. The New York Times Book Review has called Sarah Waters a writer of "consummate skill" and The Seattle Times has praised her work as "gripping, astute fiction that feeds the mind and the senses." Fingersmith marks a major leap forward in this young and brilliant career.

More Details

Format
eBook
Street Date
10/1/2002
Language
English
ISBN
9781101057025

Discover More

Author Notes

Loading Author Notes...

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors suspenseful, evocative, and intricately plotted, and they have the genres "historical fiction" and "biographical fiction."
The forty elephants - Bledsoe, Erin
These books have the appeal factors atmospheric and intricately plotted, and they have the genre "historical fiction"; the subjects "swindlers and swindling," "thieves," and "london, england history"; and characters that are "flawed characters."
These books have the theme "inspired by real events"; the genres "literary fiction" and "lgbtqia+ fiction"; the subjects "orphans," "lesbians," and "psychiatric hospitals"; and include the identities "lesbian" and "lgbtqia+."
The Meaning of Night and Fingersmith are compelling and intricate novels set in Victorian England. Both paint a vivid picture of London, and offer in-depth portraits of sometimes disturbing characters. -- Victoria Fredrick
These novels offer gothic suspense's classic creepy atmosphere, though with somewhat different story-lines. Fingersmith takes place in Victorian England while The Thirteenth Tale is contemporary, but both emphasize books, mysteries about birth and identity, insanity, and grand houses. -- Shauna Griffin
Innocent young women inveigled into nefarious schemes form the focus of these Gothic novels, set in Victorian England. Sleep, Pale Sister has some supernatural elements not found in Fingersmith, but both gripping books are atmospheric and sometimes creepy. -- Victoria Fredrick
These books have the appeal factors stylistically complex and first person narratives, and they have the genres "literary fiction" and "lgbtqia+ fiction"; the subjects "betrayal," "lesbians," and "women-women relations"; include the identities "lesbian" and "lgbtqia+"; and characters that are "complex characters."
These books have the appeal factors creepy, and they have the genres "gothic fiction" and "lgbtqia+ fiction"; the subjects "lesbians" and "women-women relations"; and include the identities "lesbian" and "lgbtqia+."
These books have the appeal factors multiple perspectives, and they have the genre "lgbtqia+ fiction"; the subjects "betrayal," "orphans," and "lesbians"; include the identities "lesbian," "lgbtqia+," and "queer"; and characters that are "complex characters."
Sinister Victorian asylums loom large in these atmospheric Gothic novels, in which women are held under false pretenses (or are they?). Tension builds in both novels as secrets are slowly revealed and our comprehension of the situation changes. -- Shauna Griffin
We recommend The Housekeepers for readers who like Fingersmith. Both are intricately plotted historical novels about con artists who pose as servants to swindle their marks -- Ashley Lyons
Although Fingersmith explores sexual themes not explicit in The Woman in White, fans of its atmospheric Victorian trappings -- including madhouses, remote mansions, and women in dire straits -- will enjoy reading the Victorian original that gave birth to this type of mystery. -- Michael Shumate

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Charles Dickens explores social issues that may appear in Waters's novels, and both of them employ elegant writing, detailed settings, complex plotting, and vividly developed characters to immerse readers in the lives of these characters. -- Katherine Johnson
Michael Cox and Sarah Waters write richly detailed, atmospheric Historical Fiction set in Victorian England containing elements of psychological suspense. Through sympathetic (though not always reliable) narrators and plots that revolve around secrets and unexpected reversals of fortune, these authors shine a light on the darker corners of Victorian society. -- NoveList Contributor
Sarah Waters and Emma Donoghue both write fiction that focuses on female characters and explores aspects of their sexuality. Their stories are often suspenseful, with intricate plots and a variety of historical and modern settings. Their subject matter can be subversive and sometimes disturbing, but it makes for compelling reading. -- Keeley Murray
Jennifer Niven and Sarah Waters write compelling, character-driven historical fiction with elements of humor, nostalgia and suspense about strong female characters in the World War Two period. Niven's historical fiction follows a woman's coming of age across several books, while Waters writes stand-alone novels, often with GLBTQ themes. -- Kaitlyn Moore
These authors are preoccupied by the lives of women limited by society's expectations; in the historical eras they write of (with much rich, evocative detail), the route to financial independence for women is often achieved only by sordid means. -- Shauna Griffin
Both Kate Morton and Sarah Waters write moody, gothic novels and excel at creating twisty narratives which keep the reader guessing. Their novels are leisurely paced with a delicious, slow-building tension and vivid attention to historical detail. -- Halle Carlson
Both authors write witty, descriptive historical fiction that explores the lives of LGBTQIA people with period-accurate dialect and rich, complex characters. -- CJ Connor
Both Sarah Waters and Margaret Wilkerson Sexton write lush, atmospheric, and character-driven historical fiction about the complexity of women's lives, their relationships, and how they intersect with social issues, particularly sexuality (Waters) and race (Sexton). -- Laura Cohen
Though Daphne Du Maurier's catalog includes horror, and Sarah Waters' work is a bit lighter and funnier, both write atmospheric, sometimes moody stories full of lush prose and compelling characters. -- Stephen Ashley
Though Sarah Waters's work isn't autobiographical in the way Radclyffe Hall's is, both are known for their compelling and candid stories about the lives of complex queer characters. -- Stephen Ashley
These authors' works have the appeal factors intensifying and multiple perspectives, and they have the genre "lgbtqia+ fiction"; the subject "london, england history"; and include the identities "lesbian," "lgbtqia+," and "gay."
These authors' works have the appeal factors evocative, and they have the genres "historical fiction" and "literary fiction"; and the subjects "london, england history," "social life and customs," and "misadventures."

Published Reviews

Booklist Review

Waters' third novel, set in Victorian England, opens when Sue Trinder, an orphan raised by a band of thieves, is recruited by Richard Rivers, a con man known as Gentleman, to help him in his quest to marry Maud Lilly, an heiress living in isolation in the country with her eccentric uncle. Maud stands to inherit a small fortune when she marries, and Gentleman intends to marry her, steal her inheritance, and imprison her in a madhouse. Sue agrees to pose as a maid to Maud and to gain her confidence. But Sue finds Maud sweet and trusting, and, to her surprise, she begins to fall in love with Maud and have serious misgivings about Gentleman's plan. But Sue only knows a small part of the scheme, and it will affect both her and Maud in ways she does not realize. The intricate plotting and startling revelations will keep the reader enthralled, rapidly turning the pages to get to the exciting conclusion. Waters' gripping, engrossing thriller would make the Victorian master of suspense, Wilkie Collins, proud. --Kristine Huntley

From Booklist, Copyright (c) American Library Association. Used with permission.
Powered by Syndetics

School Library Journal Review

Raised by a loving clan of thieves, orphan Sue Trinder must take her turn to make the gang's fortune. Her mission: help a professional rogue marry an heiress and then steal the girl's inheritance by declaring her insane. Sue wants to please her adoptive mother and friends, but once she's confronted with the seemingly hapless victim, Maud, she begins to have doubts. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Library Journal Review

In Victorian London, the orphaned Sue Trinder is raised by Mrs. Sucksby, den mother to a family of thieves, or "fingersmiths." To repay Mrs. Sucksby's kindness, Sue gets involved in a scam but soon regrets it. From the award-winning author of Tipping the Velvet. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Kirkus Book Review

Imagine a university-educated lesbian Charles Dickens with a similarly keen eye for mendacity and melodrama, and you'll have some idea of the pleasures lurking in Waters's impudent revisionist historicals: Tipping the Velvet (1999), Affinity (2000), and now this richly woven tale of duplicity, passion, and lots of other good stuff. It begins as the narrative of 17-year-old Susan Trinder, an orphan resident of the criminal domicile run by Hogarthian Grace Sucksby, a Fagin-like "farmer" of discarded infants and den-mother to an extended family of "fingersmiths" (i.e., pickpockets) and assorted confidence-persons. One of the latter, Richard Rivers (a.k.a. "Gentleman"), engages Susan in an elaborate plot to fleece wealthy old Mr. Lilly, a connoisseur of rare books-as lady's maid "Susan Smith" to Lilly's niece and ward Maude, a "simple, natural" innocent who will be married off to "Mr. Rivers," then disposed of in a madhouse, while the conspirators share her wealth. Maidservant and mistress grow unexpectedly close, until Gentleman's real plan-a surprise no reader will see coming-leads to a retelling of events we've just witnessed, from a second viewpoint-which reveals the truth about Mr. Lilly's bibliomania, and discloses to a second heroine that "Your life was not the life that you were meant to live." (Misdirections and reversals are essential components of Waters's brilliant plot, which must not be given away.) Further intrigues, escapes, and revelations climax when Susan (who has resumed her place as narrator) returns from her bizarre ordeal to Mrs. Sucksby's welcoming den of iniquity, and a final twist of the knife precipitates another crime and its punishment, astonishing discoveries about both Maude and Susan (among others), and a muted reconciliation scene that ingeniously reshapes the conclusion of Dickens's Great Expectations. Nobody writing today surpasses the precocious Waters's virtuosic handling of narrative complexity and thickly textured period detail. This is a marvelous novel.

Copyright (c) Kirkus Reviews, used with permission.
Powered by Syndetics

Booklist Reviews

Waters' third novel, set in Victorian England, opens when Sue Trinder, an orphan raised by a band of thieves, is recruited by Richard Rivers, a con man known as Gentleman, to help him in his quest to marry Maud Lilly, an heiress living in isolation in the country with her eccentric uncle. Maud stands to inherit a small fortune when she marries, and Gentleman intends to marry her, steal her inheritance, and imprison her in a madhouse. Sue agrees to pose as a maid to Maud and to gain her confidence. But Sue finds Maud sweet and trusting, and, to her surprise, she begins to fall in love with Maud and have serious misgivings about Gentleman's plan. But Sue only knows a small part of the scheme, and it will affect both her and Maud in ways she does not realize. The intricate plotting and startling revelations will keep the reader enthralled, rapidly turning the pages to get to the exciting conclusion. Waters' gripping, engrossing thriller would make the Victorian master of suspense, Wilkie Collins, proud. ((Reviewed February 1, 2002)) Copyright 2002 Booklist Reviews

Copyright 2002 Booklist Reviews
Powered by Content Cafe

Library Journal Reviews

In Victorian London, the orphaned Sue Trinder is raised by Mrs. Sucksby, den mother to a family of thieves, or "fingersmiths." To repay Mrs. Sucksby's kindness, Sue gets involved in a scam but soon regrets it. From the award-winning author of Tipping the Velvet. Copyright 2001 Cahners Business Information.

Copyright 2001 Cahners Business Information.
Powered by Content Cafe

Library Journal Reviews

Raised by a loving family of thieves, orphan Sue Trinder is sheltered from the worst of the seamy Victorian underworld until it becomes her turn to make her clan's fortune. She must help a professional rogue named Gentleman marry an heiress and then steal the poor girl's inheritance by declaring her insane. Sue wants to please her adoptive mother and friends and persuades herself that she can do the job, but once she's confronted with the seemingly hapless victim, Maud, she begins to have doubts. Sue and Maud's connection is just one reason the scam quickly falls apart. Each clearly drawn character is ensnared by secrets and lies that force his or her actions, and everyone is both a predator and a victim. As in her earlier works (e.g., Affinity), Waters slowly and inexorably builds the tension in this hard-to-put-down novel, which is full of atmospheric details about grand houses, petty slums, and Victorian madhouses. Readers will turn the pages with delighted dread. [Previewed in Prepub Alert, LJ 10/1/01.] Devon Thomas, Hass Assocs., Inc., Ann Arbor, MI Copyright 2001 Cahners Business Information.

Copyright 2001 Cahners Business Information.
Powered by Content Cafe

Reviews from GoodReads

Loading GoodReads Reviews.

Citations

APA Citation, 7th Edition (style guide)

Waters, S. (2002). Fingersmith . Penguin Publishing Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Waters, Sarah. 2002. Fingersmith. Penguin Publishing Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Waters, Sarah. Fingersmith Penguin Publishing Group, 2002.

Harvard Citation (style guide)

Waters, S. (2002). Fingersmith. Penguin Publishing Group.

MLA Citation, 9th Edition (style guide)

Waters, Sarah. Fingersmith Penguin Publishing Group, 2002.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Copy Details

CollectionOwnedAvailableNumber of Holds
Libby401

Staff View

Loading Staff View.