It
(Libby/OverDrive eAudiobook)

Book Cover
Average Rating
Contributors
King, Stephen Author
Weber, Steven Narrator
Published
Simon & Schuster Audio , 2016.
Status
Available from Libby/OverDrive

Available Platforms

Libby/OverDrive
Titles may be read via Libby/OverDrive. Libby/OverDrive is a free app that allows users to borrow and read digital media from their local library, including ebooks, audiobooks, and magazines. Users can access Libby/OverDrive through the Libby/OverDrive app or online. The app is available for Android and iOS devices.

Description

“A great book…a landmark in American literature.”—Chicago Sun-TimesWelcome to Derry, Maine…It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real….They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But none of them can withstand the force that has drawn them back to Derry to face the nightmare without an end, and the evil without a name.

More Details

Format
eAudiobook
Edition
Unabridged
Street Date
01/01/2016
Language
English
ISBN
9781508217114

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Best friends on the brink of adolescence battle menacing supernatural forces in these dramatic, suspenseful, character-driven adventures. King's novel is longer and sometimes more graphically violent, but both are compelling, gritty, and atmospherically American. Descriptive details heighten the reader's engagement. -- Matthew Ransom
Malevolent entities that prey upon children are the driving force of these creepy, suspenseful horror stories. In both novels, only adults lucky enough to escape the villain's clutches in childhood are later able to battle the evil when it returns. -- NoveList Contributor
These menacing and intricately plotted fantasy (Dissonance) and horror (It) novels star a group of friends whose childhood encounters with the supernatural resonate throughout their lives, eventually forcing them back to their hometown to battle evil and save the day. -- Kaitlin Conner
Bullied children encounter supernatural creatures in both menacing character-driven horror novels set in small towns. It features a large cast of characters over many decades while Let The Right One In centers on one 12-year-old boy. -- Alicia Cavitt
Fans of creepy stories oozing childhood nostalgia, will enjoy these intricately plotted novels about a ragtag group of friends who are followed into adulthood by sinister forces. Both books are menacing and suspenseful, but The Chalk Man lacks It's supernatural elements. -- Catherine Coles
These books have the appeal factors creepy, menacing, and nonlinear, and they have the themes "childhood trauma," "creepy clowns and bad seeds," and "small town horror"; the genre "horror"; and the subject "violence."
An entity disguised as a clown (It) and a magician (Mister Magic) holds a ragtag group of characters in its thrall, first when they're children and then again decades later, in these creepy and suspenseful horror novels. -- Kaitlin Conner
Decades after their discovery of supernatural horrors in their small hometown, a ragtag group of friends reunite to finally put the evil to rest. Meddling Kids is set in 1977 and 1990 Oregon; It in 1958 and 1985 Maine. -- Kaitlin Conner
Older brothers marked by their little brothers' disappearances navigate damp, sinister small towns in search of closure in both atmospheric novels. It is a sprawling epic contrasting innocence with experience; Bad Man centers on twenty-somethings in dead-end jobs. -- Autumn Winters
Decades after experiencing a traumatic event in their childhoods, a group of misfit friends reunite to put an end to the horrors that lie in wait for them in small-town Bucks County, Pennsylvania (Staircase) and Derry, Maine (It). -- Kaitlin Conner
Years after their childhood run-ins with a creepy otherworldly menace, the protagonists of both intricately plotted horror novels find they can't escape evil and must face their fears once more. -- Kaitlin Conner
The searching dead - Campbell, Ramsey
Teens in 1950s Liverpool, England (The Searching Dead) and Derry, Maine (It) face off against cosmic threats in both creepy and menacing horror novels. -- Kaitlin Conner

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Richard Bachman is the pseudonym of Steven King, generally associated with a more gruesome narrative voice. -- Jessica Zellers
Stephen King's and Dean R. Koontz's names are frequently linked as they both write in multiple, often blended genres. Like King, Koontz's stories feature a cast of personable characters involved in fast-paced, deadly battles between good and evil. Koontz, too, writes in a variety of genres, including horror, fantasy, and psychological suspense. -- Krista Biggs
Like father, like son. Both King and Hill blend genres, writing mostly horror that often incorporates suspense and dark fantasy tropes. Both tend to feature story lines with flawed but likable protagonists who confront their dark sides as they battle an evil supernatural being. -- Becky Spratford
The compelling, descriptive prose of these authors can be disturbing, creepy, menacing, and suspenseful. Their intricately plotted tales are violent (even gruesome) and center on well-developed protagonists caught by horrifying circumstances in atmospheric American settings. Besides thrilling, they reveal thought-provoking insight into human values and follies, hopes and fears. -- Matthew Ransom
Both these novelists employ vivid description, careful development of characters, initially believable scenarios that build into horrific experiences, and deft portrayal of the details of each shocking situation. While there is bleak and bloody mayhem in their tales, psychological suspense also plays a significant role in the reader's engagement. -- Katherine Johnson
These masters of horror, both articularly adept at creating well-drawn younger characters and generating a genuine atmosphere of menace and incipient violence, work at the intersection of death and dark humor in their often nostalgia-tinged tales of supernatural possession liberally punctuated with pop cultural references. -- Mike Nilsson
Readers who appreciate Stephen King's snappy dialogue, small-town settings, and tendency to portray childhood as a very dangerous time will savor the work of Dathan Auerbach, a King acolyte who got his start writing short-form horror on the Creepypasta website. -- Autumn Winters
Known for their atmospheric yet understated prose, authors Josh Malerman and Stephen King write pulse-pounding speculative fiction novels featuring well-developed characters, unsettling violence, and gloomy suspense. Their compelling works frequently blend disturbing elements of horror, supernatural thriller, and apocalyptic fiction. -- Kaitlin Conner
Both authors are skilled at creating intricately plotted stories featuring relatable, realistic-feeling characters. While they are both best known for their horror, their work also explores other genres, relying on psychological suspense and the internal darkness humans carry with them. -- Michael Jenkins
Stephen King and Andrew Pyper are versatile writers who have fully explored all corners of the horror genre. Ghosts, demons, the occult, and creepy monsters (both real-life and supernatural) -- you'll find them all scattered throughout Pyper and King's suspenseful novels. -- Catherine Coles
Both authors create relatable, well-drawn characters who deal with real-world struggles as well as supernatural terrors. Ajvide Lindqvist's storylines frequently stem from social issues while King tends to write about good versus evil. -- Alicia Cavitt
Whether conjuring up supernatural frights or exploring the scary side of recognizable social issues, Stephen Graham Jones and Stephen King are horror novelists whose penchant for strong character development is matched by menacing, compellingly written narratives that move along at a quick pace. -- Basia Wilson

Published Reviews

Library Journal Review

The amazingly prolific King returns to pure horror, pitting good against evil as in The Stand and The Shining. Moving back and forth between 1958 and 1985, the story tells of seven children in a small Maine town who discover the source of a series of horrifying murders. Having conquered the evil force once, they are summoned together 27 years later when the cycle begins again. As usual, the requisite thrills are in abundance, and King's depiction of youngsters is extraordinarily accurate and sympathetic. But there is enough material in this epic for several novels and stories, and the excessive length and numerous interrelated flashbacks eventually become wearying and annoying. Nevertheless, King is a born storyteller, and It will undoubtedly be in high demand among his fans. BOMC main selection. Eric W. Johnson, Univ. of Bridgeport Lib., Ct. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

King's newest is a gargantuan summer sausage, at 1144 pages his largest yet, and is made of the same spiceless grindings as ever: banal characters spewing sawdust dialogue as they blunder about his dark butcher shop. The horror this time out is from beyond the universe, a kind of impossible-to-define malevolence that has holed up in the sewers under the New England town of Derry. The It sustains itself by feeding on fear-charged human meat--mainly children. To achieve the maximum saturation of adrenalin in its victims, It presents itself sometimes as an adorable, balloon-bearing clown which then turns into the most horrible personal vision that the victims can fear. The novel's most lovingly drawn settings are the endless, lightless, muck-filled sewage tunnels into which it draws its victims. Can an entire city--like Derry--be haunted? King asks. Say, by some supergigantic, extragalactic, pregnant spider that now lives in the sewers under the waterworks and sends its evil mind up through the bathtub drain, or any drain, for its victims? In 1741, everyone in Derry township just disappeared--no bones, no bodies--and every 27 years since then something catastrophic has happened in Derry. In 1930, 170 children disappeared. The Horror behind the horrors, though, was first discovered some 27 years ago (in 1958, when Derry was in the grip of a murder spree) by a band of seven fear-ridden children known as the Losers, who entered the drains in search of It. And It they found, behind a tiny door like the one into Alice's garden. But what they found was so horrible that they soon began forgetting it. Now, in 1985, these children are a horror novelist, an accountant, a disc jockey, an architect, a dress designer, the owner of a Manhattan limousine service, and the unofficial Derry town historian. During their reunion, the Losers again face the cyclical rebirth of the town's haunting, which again launches them into the drains. This time they meet It's many projections (as an enormous, tentacled, throbbing eyeball, as a kind of pterodactyl, etc.) before going through the small door one last time to meet. . .Mama Spider! The King of the Pulps smiles and shuffles as he punches out his vulgarian allegory, but he too often sounds bored, as if whipping himself on with his favorite Kirin beer for zip. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Library Journal Reviews

The amazingly prolific King returns to pure horror, pitting good against evil as in The Stand and The Shining. Moving back and forth between 1958 and 1985, the story tells of seven children in a small Maine town who discover the source of a series of horrifying murders. Having conquered the evil force once, they are summoned together 27 years later when the cycle begins again. As usual, the requisite thrills are in abundance, and King's depiction of youngsters is extraordinarily accurate and sympathetic. But there is enough material in this epic for several novels and stories, and the excessive length and numerous interrelated flashbacks eventually become wearying and annoying. Nevertheless, King is a born storyteller, and It will undoubtedly be in high demand among his fans. BOMC main selection. Eric W. Johnson, Univ. of Bridgeport Lib., Ct. Copyright 1986 Cahners Business Information.

Copyright 1986 Cahners Business Information.
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Citations

APA Citation, 7th Edition (style guide)

King, S., & Weber, S. (2016). It (Unabridged). Simon & Schuster Audio.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

King, Stephen and Steven Weber. 2016. It. Simon & Schuster Audio.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

King, Stephen and Steven Weber. It Simon & Schuster Audio, 2016.

Harvard Citation (style guide)

King, S. and Weber, S. (2016). It. Unabridged Simon & Schuster Audio.

MLA Citation, 9th Edition (style guide)

King, Stephen, and Steven Weber. It Unabridged, Simon & Schuster Audio, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Copy Details

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