Call Them by Their True Names: American Crises (and Essays)
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In this thought-provoking series of political essays, Solnit (The Mother of All Questions) attempts to diagnose the present maladies of American culture. These afflictions include a preference for outrage instead of dialogue, police brutality and the mass incarceration of African-American men, and gentrification and economic inequality. The most trenchantly addressed problem is that of American isolationism, a slippery slope, as Solnit explains: "If you begin by denying social and ecological systems, then you end by denying the reality of facts, which are... part of a network of systematic relationships among language, physical reality, and the record." Solnit argues throughout that truthful language is vital, and that "one of the crises of the moment is linguistic," thanks in large part to misleading speech by President Trump. He is described as suffering from a malady himself, one contracted when one is constantly surrounded by sycophants and deprived of normal human interaction and "the most rudimentary training in dealing with setbacks." (Solnit does not offer these as excuses, merely explanations.) The collection ends with essays outlining the most successful practices of journalists and activists fighting against injustice, inequality, and ignorance. These in particular indicate what makes Solnit such a powerful cultural critic: as always, she opts for measured assessment and pragmatism over hype and hysteria. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

Solnit does it again. In her follow-up to The Mother of All Questions, she presents culturally and politically relevant essays that dive below the surface of such topics as misogyny, voter suppression, civil rights, gentrification, and climate change. "The recent event on the surface," Solnit writes, "is often merely the hood ornament on the mighty social engine that is a story driving the culture." That concept is best illustrated in her essays about Alex Nieto, a 28-year-old man who was killed by police in San Francisco in 2014, and Jarvis Masters, a Buddhist author who has spent the past 25 years on death row in San Quentin for a crime he says he didn't commit. Cassandra Campbell's narration captures that sense of hope that serves as the undercurrent in these pieces. Her voice is steady and measured, providing the quiet strength and defiance that builds to the author's final message: "This work will only matter if it's sustained. To sustain it, people have to believe that the myriad small, incremental actions matter.even when the consequences aren't immediate or obvious." VERDICT If recent events have got you down, Solnit's latest essays will lift you up.-Gladys Alcedo, Wallingford CT © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

For those heartsick at Trumpism, essayist and Harper's contributing editor Solnit (The Mother of All Questions, 2017, etc.) offers context and support. Optimism? You're on your own.As the author argues in this fiery clutch of essays, optimism isn't a particularly helpful attitude anyway. Optimismand its obverse, pessimismare "false certainties" that "let us stay home and do nothing" in response to hard-line, bigoted conservatism. It is better, she argues, to cultivate hope, "an informed, astute open-mindedness." That's a thesis Solnit has explored often, particularly in her 2009 book on Hurricane Katrina and other tragedies, A Paradise Built in Hell, and she's persuasive at marshaling a case for the long view while being cleareyed about the degradations of the moment. The 1916 Irish rebellion against the British, for instance, paved the way to independence two decades later, and years of steady pressure led to the removal of Confederate statues in New Orleans in 2017. So don't despair: "We don't know what will happen next and have to live on principles, hunches, and lessons from history." Which is why the author doesn't mind the criticism that liberal pundits like her are preaching to the choir by reasserting principles and history lessons: The choir represents the "deeply committed" who need encouragement. Stoking that support in part demands attacking doublespeak that enables bigotry and unethical behavior from governments. She explores this most effectively in "Death by Gentrification," an investigation of the shooting of a San Francisco man by police and the rhetorical pretzels police used to blame the victim. Telling the story wrong, with the wrong words and framing, threatens democracy, she exhorts journalism school graduates in one essay. Her own work is a model of doing it right.Solnit is careful with her words (she always is) but never so much that she mutes the infuriated spirit that drives these essays. Copyright Kirkus Reviews, used with permission.

In this thought-provoking series of political essays, Solnit (The Mother of All Questions) attempts to diagnose the present maladies of American culture. These afflictions include a preference for outrage instead of dialogue, police brutality and the mass incarceration of African-American men, and gentrification and economic inequality. The most trenchantly addressed problem is that of American isolationism, a slippery slope, as Solnit explains: "If you begin by denying social and ecological systems, then you end by denying the reality of facts, which are... part of a network of systematic relationships among language, physical reality, and the record." Solnit argues throughout that truthful language is vital, and that "one of the crises of the moment is linguistic," thanks in large part to misleading speech by President Trump. He is described as suffering from a malady himself, one contracted when one is constantly surrounded by sycophants and deprived of normal human interaction and "the most rudimentary training in dealing with setbacks." (Solnit does not offer these as excuses, merely explanations.) The collection ends with essays outlining the most successful practices of journalists and activists fighting against injustice, inequality, and ignorance. These in particular indicate what makes Solnit such a powerful cultural critic: as always, she opts for measured assessment and pragmatism over hype and hysteria. (Sept.)