The Street Lawyer
(Libby/OverDrive eAudiobook)

Book Cover
Average Rating
Contributors
Grisham, John Author
Muller, Frank Narrator
Published
Books on Tape , 2008.
Status
Available from Libby/OverDrive

Available Platforms

Libby/OverDrive
Titles may be read via Libby/OverDrive. Libby/OverDrive is a free app that allows users to borrow and read digital media from their local library, including ebooks, audiobooks, and magazines. Users can access Libby/OverDrive through the Libby/OverDrive app or online. The app is available for Android and iOS devices.

Description

#1 NEW YORK TIMES BESTSELLER • “Compelling . . . another timely tale from John Grisham. [The Street Lawyer] shows not only that Grisham has his finger on the public pulse but that he’s also out to prick its conscience.”—Chicago Tribune Michael was in a hurry. He was scrambling up the ladder at Drake & Sweeney, a giant D.C. law firm with eight hundred lawyers. The money was good and getting better; a partnership was no more than three years away. He was a rising star with no time to waste, no time to stop, no time to toss a few coins into the cups of panhandlers. No time for a conscience.Then a violent encounter with a homeless man stopped him cold. Michael survived, but his assailant did not. Who was this man? Michael did some digging and learned that his attacker was a mentally ill veteran who’d been in and out of shelters for many years. Then Michael dug a little deeper and found a dirty secret, and the secret involved Drake & Sweeney.The fast track derailed, the ladder collapsed. Michael bolted the firm and took a top-secret file with him. He landed in the streets, an advocate for the homeless, a street lawyer. And a thief.

More Details

Format
eAudiobook
Edition
Unabridged
Street Date
02/26/2008
Language
English
ISBN
9781415950418

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Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
David Baldacci writes high-energy suspense stories featuring corruption and conspiracies. Complex plots place characters in tense situations, which, it is important to note, can sometimes lead to more graphic violence than found in John Grisham's works. -- Kim Burton
In their novels, both John Grisham and Brad Meltzer portray young, vulnerable lawyers caught in difficult situations, pitted against powerful but corrupt enemies. Their books are characterized by fast pacing, provocative storylines, suspense and danger, along with sympathetic characters. -- Victoria Fredrick
John Grisham and Greg Iles write fast-paced legal thrillers. Often set in small Southern towns in the U.S., these suspenseful stories include a heavy emphasis on the personal lives of their characters and how their experiences influence their perspective and attitudes toward the legal cases they tackle. -- Halle Carlson
Both authors use their career experiences to write compelling legal thrillers starring attorneys who take on cases in pursuit of the truth that could cost them their lives. -- CJ Connor
These Southern writers rely upon their backgrounds as attorneys to create suspenseful thrillers with authentic details. Grisham's suspenseful legal thrillers often turn upon points of law. Morris's own voices novels put Black women front and center, whether as attorneys or innocent women running from the law. -- Michael Shumate
Fans of suspenseful and dramatic legal thrillers should explore the works of both John Grisham and Stephen L. Carter. Carter's stories tend to intensify as they progress, while Grisham's plots are propulsive from page one. -- Stephen Ashley
Lisa Scottoline and John Grisham's novels share a legal focus, sympathetic characters, fast pacing, and unexpected plot twists. There's more humor and sarcasm in Scottoline's stories, but both have a similarly suspenseful tone. -- Victoria Fredrick
John Grisham and Alafair Burke are known for their suspenseful and dramatic legal thrillers in which their relatable protagonists take on enormously challenging cases. Burke's work tends to be a bit grittier and darker than Grisham's. -- Stephen Ashley
Fans of Steve Martini's novels may also enjoy John Grisham's cinematic and page-turning legal thrillers. Both authors feature sympathetic protagonists -- often portraying lawyers as underdogs, fighting for justice. For Martini, investigation plays an important role, with actual courtroom drama often taking second place. -- Victoria Fredrick
Though there's a bit more wit in Marcia Clark's writing than John Grisham's more dramatic tales, both authors are known for keeping readers on the edge of their seats with their suspenseful and compelling legal thrillers. -- Stephen Ashley
Although Scott Turow's stories are more realistic and do not move at the same rapid pace as John Grisham's, readers who enjoy issue-oriented legal thrillers may appreciate each author's different strengths. -- Victoria Fredrick
Stuart Woods and John Grisham are both known for their provocative stories and relentless pacing. While there are suspense, action, and plot twists in both authors' novels, there's more sex and violence in Woods' books than in Grisham's. -- Victoria Fredrick

Published Reviews

Booklist Review

Mr. Moneybags takes on the street people in his latest novel. Is there a moral here?

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

America's most popular author is arguably its most popular crusader as well, tilting his pen against myriad targets, including big law (The Firm, etc.), big tobacco (The Runaway Jury), big insurance (The Rainmaker) and now, in perhaps his sweetest, shortest novel, against anyone, big or little, who treats the homeless as less than human. The expected powerhouse opening involves the hostage-taking‘by an armed, homeless man who calls himself Mister‘of nine attorneys of a huge law firm headquartered in D.C. Among the nine is narrator Michael Brock, an antitrust lawyer who receives a faceful of blood when a police sniper blows away Mister's head. "I'm alive! I'm alive," Michael cries like Ebenezer Scrooge, but, like Scrooge, this greedy hotshot is ripe for a moral awakening. The next day, Michael visits the shabby offices of Mister's attorney, Mordecai Green, who explains that Mister and others had been illegally evicted from makeshift housing on orders from a real-estate development company represented by Michael's firm. Inspired by Green and shaken by his firm's complicity, Michael volunteers at a homeless shelter. When a family he meets there dies on the street, and turns out to have been among the evictees, Michael quits his job, goes to work for Green and, using as evidence a file he steals from the firm, aims to sue his former employer on behalf of the evictees. In turn, the firm places Michael in its crosshairs, pressuring him to give up the file through legal maneuvers, having him arrested and hints of darker means. The cat-and-mouse between Michael and the firm is vintage Grisham, intricately plotted, but the emphasis in this smoothly told, baldly manipulative tale is less on action and suspense, which are moderate, than on Michael's change of heart and moving exploration of the world of the homeless. Dickens would be well pleased, and so will Grisham's fans. 2.8 million first printing. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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School Library Journal Review

YA-Michael Brock, a successful young attorney for a large, prestigious law firm in Washington, DC, is taken hostage by a homeless veteran in the dramatic opening chapter of Grisham's newest novel. In an effort to understand the motives of his assailant, who dies as the hostages are freed, the young man volunteers at a soup kitchen and works at a legal-aid society. There he begins to recognize the plight of the homeless. However, serious questions remain as to the role Brock's firm had in evicting Mister and other homeless people during a cold winter. In an effort to delve into this mystery, Brock steals a file, thus cutting himself off from friends and his former way of life. The author's reputation assures the popularity of The Street Lawyer, and it is an excellent choice for teens as the plot is relatively simple and fast moving. However, those readers hoping for as much excitement or suspense as there was in The Firm will be disappointed. Michael's transformation from greedy attorney to a sympathetic social worker is gradual and credible. Other characters are not as well developed. As Grisham includes many statistics and other relevant information on the homeless, this is an good choice for sociology students.-Claudia Moore, W. T. Woodson High School, Fairfax, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Library Journal Review

No plot, no title, no page count, and no doubt it will be one of your biggest spring orders. On-sale date is February 4. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Booklist Reviews

Mr. Moneybags takes on the street people in his latest novel. Is there a moral here? ((Reviewed February 15, 1998)) Copyright 2000 Booklist Reviews

Copyright 2000 Booklist Reviews
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Library Journal Reviews

No plot, no title, no page count, and no doubt it will be one of your biggest spring orders. On-sale date is February 4. Copyright 1998 Library Journal Reviews

Copyright 1998 Library Journal Reviews
Powered by Content Cafe

Publishers Weekly Reviews

America's most popular author is arguably its most popular crusader as well, tilting his pen against myriad targets, including big law (The Firm, etc.), big tobacco (The Runaway Jury), big insurance (The Rainmaker) and now, in perhaps his sweetest, shortest novel, against anyone, big or little, who treats the homeless as less than human. The expected powerhouse opening involves the hostage-taking?by an armed, homeless man who calls himself Mister?of nine attorneys of a huge law firm headquartered in D.C. Among the nine is narrator Michael Brock, an antitrust lawyer who receives a faceful of blood when a police sniper blows away Mister's head. "I'm alive! I'm alive," Michael cries like Ebenezer Scrooge, but, like Scrooge, this greedy hotshot is ripe for a moral awakening. The next day, Michael visits the shabby offices of Mister's attorney, Mordecai Green, who explains that Mister and others had been illegally evicted from makeshift housing on orders from a real-estate development company represented by Michael's firm. Inspired by Green and shaken by his firm's complicity, Michael volunteers at a homeless shelter. When a family he meets there dies on the street, and turns out to have been among the evictees, Michael quits his job, goes to work for Green and, using as evidence a file he steals from the firm, aims to sue his former employer on behalf of the evictees. In turn, the firm places Michael in its crosshairs, pressuring him to give up the file through legal maneuvers, having him arrested and hints of darker means. The cat-and-mouse between Michael and the firm is vintage Grisham, intricately plotted, but the emphasis in this smoothly told, baldly manipulative tale is less on action and suspense, which are moderate, than on Michael's change of heart and moving exploration of the world of the homeless. Dickens would be well pleased, and so will Grisham's fans. 2.8 million first printing. (Feb.)

Powered by Content Cafe

Publishers Weekly Reviews

America's most popular author is arguably its most popular crusader as well, tilting his pen against myriad targets, including big law (The Firm, etc.), big tobacco (The Runaway Jury), big insurance (The Rainmaker) and now, in perhaps his sweetest, shortest novel, against anyone, big or little, who treats the homeless as less than human. The expected powerhouse opening involves the hostage-taking by an armed, homeless man who calls himself Mister of nine attorneys of a huge law firm headquartered in D.C. Among the nine is narrator Michael Brock, an antitrust lawyer who receives a faceful of blood when a police sniper blows away Mister's head. "I'm alive! I'm alive," Michael cries like Ebenezer Scrooge, but, like Scrooge, this greedy hotshot is ripe for a moral awakening. The next day, Michael visits the shabby offices of Mister's attorney, Mordecai Green, who explains that Mister and others had been illegally evicted from makeshift housing on orders from a real-estate development company represented by Michael's firm. Inspired by Green and shaken by his firm's complicity, Michael volunteers at a homeless shelter. When a family he meets there dies on the street, and turns out to have been among the evictees, Michael quits his job, goes to work for Green and, using as evidence a file he steals from the firm, aims to sue his former employer on behalf of the evictees. In turn, the firm places Michael in its crosshairs, pressuring him to give up the file through legal maneuvers, having him arrested and hints of darker means. The cat-and-mouse between Michael and the firm is vintage Grisham, intricately plotted, but the emphasis in this smoothly told, baldly manipulative tale is less on action and suspense, which are moderate, than on Michael's change of heart and moving exploration of the world of the homeless. Dickens would be well pleased, and so will Grisham's fans. 2.8 million first printing. (Feb.) Copyright 1998 Publishers Weekly Reviews

Copyright 1998 Publishers Weekly Reviews
Powered by Content Cafe

School Library Journal Reviews

YA-Michael Brock, a successful young attorney for a large, prestigious law firm in Washington, DC, is taken hostage by a homeless veteran in the dramatic opening chapter of Grisham's newest novel. In an effort to understand the motives of his assailant, who dies as the hostages are freed, the young man volunteers at a soup kitchen and works at a legal-aid society. There he begins to recognize the plight of the homeless. However, serious questions remain as to the role Brock's firm had in evicting Mister and other homeless people during a cold winter. In an effort to delve into this mystery, Brock steals a file, thus cutting himself off from friends and his former way of life. The author's reputation assures the popularity of The Street Lawyer, and it is an excellent choice for teens as the plot is relatively simple and fast moving. However, those readers hoping for as much excitement or suspense as there was in The Firm will be disappointed. Michael's transformation from greedy attorney to a sympathetic social worker is gradual and credible. Other characters are not as well developed. As Grisham includes many statistics and other relevant information on the homeless, this is an good choice for sociology students.-Claudia Moore, W. T. Woodson High School, Fairfax, VA Copyright 1998 School Library Journal Reviews

Copyright 1998 School Library Journal Reviews
Powered by Content Cafe

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Citations

APA Citation, 7th Edition (style guide)

Grisham, J., & Muller, F. (2008). The Street Lawyer (Unabridged). Books on Tape.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Grisham, John and Frank Muller. 2008. The Street Lawyer. Books on Tape.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Grisham, John and Frank Muller. The Street Lawyer Books on Tape, 2008.

Harvard Citation (style guide)

Grisham, J. and Muller, F. (2008). The street lawyer. Unabridged Books on Tape.

MLA Citation, 9th Edition (style guide)

Grisham, John, and Frank Muller. The Street Lawyer Unabridged, Books on Tape, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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