Between the Lines
(Libby/OverDrive eAudiobook)

Book Cover
Average Rating
Contributors
Picoult, Jodi Author, Narrator
Van Leer, Samantha Author
McKenzie, Robert Ian Narrator
Cordero, Nick Narrator
Jackson, Suzy Myers Narrator
Published
Recorded Books, Inc. , 2012.
Status
Available from Libby/OverDrive

Available Platforms

Libby/OverDrive
Titles may be read via Libby/OverDrive. Libby/OverDrive is a free app that allows users to borrow and read digital media from their local library, including ebooks, audiobooks, and magazines. Users can access Libby/OverDrive through the Libby/OverDrive app or online. The app is available for Android and iOS devices.

Description

Now a musical adaptation, available to stream online! In this delightful companion novel to Off the Page, #1 New York Times bestselling authors Jodi Picoult and her daughter and cowriter, Samantha van Leer, present a novel filled with romance, adventure, and humor in a story you’ll never forget.What happens when happily ever after…isn’t?Delilah is a bit of a loner who prefers spending her time in the school library with her head in a book—one book in particular. Between the Lines may be a fairy tale, but it feels real. Prince Oliver is brave, adventurous, and loving. He really speaks to Delilah.And then one day Oliver actually speaks to her. Turns out, Oliver is more than a one-dimensional storybook prince. He’s a restless teen who feels trapped by his literary existence and hates that his entire life is predetermined. He’s sure there’s more for him out there in the real world, and Delilah might just be his key to freedom.A romantic and charming story, this companion novel to Off the Page will make every reader believe in the fantastical power of fairy tales.

More Details

Format
eAudiobook
Edition
Unabridged
Street Date
06/26/2012
Language
English
ISBN
9781464033209

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors multiple perspectives and first person narratives, and they have the genre "fairy tale and folklore-inspired fiction"; and the subjects "characters and characteristics in fairy tales," "teenage romance," and "cinderella (legendary character)."
These books have the appeal factors romantic and fun read, and they have the genres "fantasy romances" and "fairy tale and folklore-inspired fiction"; and the subjects "characters and characteristics in fairy tales" and "princes."
These books have the appeal factors romantic, stylistically complex, and unconventional, and they have the genres "fantasy romances" and "fairy tale and folklore-inspired fiction"; and the subjects "characters and characteristics in fairy tales," "books and reading," and "fifteen-year-old girls."
Their stories may be very different, but the teen girls in these books both quite literally find love in books. Each (mostly) realistic, contemporary story is compulsively readable, but Confessions is more emotionally intense. -- Ellen Foreman
These books have the subjects "princes," "fifteen-year-old girls," and "princesses."
These books have the appeal factors romantic, stylistically complex, and unconventional, and they have the subject "princes."
These books have the theme "metafiction"; and the subjects "princes," "books and reading," and "rulers."
Both of these metafictional books have loads of appeal for both adults and teens. Each one is a clever, funny tale about a young woman whose love interest is literally trapped inside a story/book. -- Ellen Foreman
These books have the appeal factors romantic and multiple perspectives, and they have the subjects "princes" and "rulers"; and characters that are "complex characters."
These books have the appeal factors romantic, and they have the genre "fairy tale and folklore-inspired fiction"; and the subjects "characters and characteristics in fairy tales," "fifteen-year-old girls," and "teenage girls."
These books have the appeal factors romantic, and they have the genres "fantasy romances" and "fairy tale and folklore-inspired fiction"; and the subjects "characters and characteristics in fairy tales," "princes," and "princesses."
While The Princess Bride is full-on fantasy and Between the Lines is primarily realistic, both of these clever metafictional novels about true love have a fairy-tale feel and are spiced with plenty of humor. -- Ellen Foreman

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Jodi Picoult's many fans might also want to give Sue Miller's issue-driven women's fiction a try. She too tackles serious subjects and families in crisis, though her stories have a more literary quality and delve more deeply into character's emotions than do Picoult's. -- Shauna Griffin
Both Jodi Picoult and Anita Shreve write novels that primarily deal with women in contemporary society. They offer sensitive portrayals of characters and explorations of life's intimacies in emotional stories with psychological depths. -- Krista Biggs
In their bittersweet and thought-provoking novels, Diane Chamberlain and Jodi Picoult take controversial issues and examine them through the lives of ordinary people. Their flawed, but sympathetic, characters make choices that have lasting consequences and the fallout is examined from multiple perspectives in these touching stories. -- Halle Carlson
For a quieter, more lyrical tone, consider Ann Hood. Like Picoult, Hood's small town female characters are well developed, but their problems are less controversial and much closer to home--infidelity, sisterly rivalry, or cold feet at an impending marriage. Also, Hood employs a little more introspection and personal drama in her stories. -- Shauna Griffin
While Jodi Picoult's plot catalysts tend to be more dramatic than those in Kristin Hannah's novels, both authors examine how ordinary people react to unexpected challenges. Their characters are sympathetic and realistic, responding to difficult circumstances with grace and fortitude. -- Halle Carlson
Both Jodi Picoult and Jacquelyn Mitchard write about ordinary people in terrible and emotionally complex situations. They both portray these characters sympathetically--no one is perfect, and no one completely in the wrong. -- Shauna Griffin
Both Luanne Rice and Jodi Picoult have strong, intelligent women who are often overwhelmed by tragedy as the main characters of their novels. However, Picoult's multi-layered novels tend to focus more on controversial subjects, while Rice focuses on family and personal relationships. -- Shauna Griffin
Both Anna Quindlen and Jodi Picoult write about tangled family relationships and sympathetic American characters grappling with ethical dilemmas. Picoult's books, however, are more conversational and generally move more quickly than do many of Quindlen's. -- Shauna Griffin
Though Susan Lewis sets her stories in England (while Jodi Picoult sets her novels in the U.S.), both write compelling, emotional tales that -- while on what could be considered sensational subjects -- are understated in execution. -- Shauna Griffin
If you can't imagine any other author writing so compellingly about sympathetic characters faced with agonizing ethical decisions to make, you're in luck. Try Amy Bourrett, who's equally skilled with pacing. -- Shauna Griffin
With a deftly humane touch, novelists Jodi Picoult and Kristina Riggle tell the stories of ordinary people -- frequently women -- facing difficulties that range from alcoholism to end of life decisions. Their well-written characters are both sympathetic and likable, their plots realistic and intriguing. -- Shauna Griffin
Both of these authors write fiction in which ordinary women find their lives in crisis, often (but not always) connected to a controversial issue. Strained or challenged family relationships are key in their novels, which always contain realistic, relatable characters. -- Shauna Griffin

Published Reviews

Booklist Review

Quirky loner Delilah discovers a fairy tale in her high-school library and develops a raging crush on its handsome prince. She is startled but delighted to discover that he can actually see her and speak to her. In alternating chapters Oliver and Delilah relate their adventures in liberating Oliver from the two-dimensional page into Delilah's three-dimensional world. Picoult's teenage daughter pitched the idea to her mother, and together the two have created a compulsively readable charmer. The teen dialogue and interior monologues feel authentic, while Picoult's practiced hand balances humor with larger issues such as abandonment, hope, and existential quandaries related to fate and human nature. Both silhouette and pencil drawings abound; characters climb in and around the text to excellent effect. Younger readers and their parents will appreciate the gentle, wholesome romance, with nary a shred of paranormal action. The tender, positive tone and effective pacing that builds to a satisfying finish will inspire readers to pass the book to a friend or reread it themselves. HIGH-DEMAND BACKSTORY: Picoult's brand-name presence on the cover will draw readers for her first foray into YA lit, and a mother-daughter tour will help spread the word.--Carton, Debbie Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

A lonely teen named Delilah finds comfort in-and frequently rereads-a fairy tale book about a prince who goes on a quest to rescue a princess. What she doesn't realize is that Oliver, the fairy-tale prince, is tired of acting out the same story whenever the book is opened, and yearns to escape into the real world. This audio edition features three narrators, all turning in standout performances. Ian MacKenzie ably narrates the fairy tale; Nick Cordero's Oliver captures the character's old-fashioned princely formality and etiquette, as well as his frustration and longing; and Suzy Jackson's rendition of Delilah is likable, awkward, and modern. But Jackson and Cordero don't merely capture the essence of their roles-they also create a host of appropriate voices for the book's many characters. This is a fun listen that will enchant anyone who loves fantasy, magic, romance, and humor. Ages 12-up. A Simon Pulse/Bestler hardcover. (June) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
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School Library Journal Review

Gr 7-10-Young Prince Oliver wants to escape the pages of the book where he lives and does the same things with the same characters in the same way every day. He attempts to make contact with 15-year-old Delilah, who is somewhat of a loner and escapes her sometimes depressing high school life through her favorite books, particularly Between the Lines, a fairy tale that she discovered in her school library. What really resonates with Delilah is the fact that Prince Oliver has grown up without a father, just like she has, and she believes that he would understand her better than anyone else. When the hero of her favorite fairy tale comes to life, Oliver and Delilah join forces to get the prince out of the book and away from the life he despises. Robert MacKenie, Suzy Jackson, and Nick Cordero read the story (Simon Pulse, 2012) by Jodie Picoult and her daughter, Samantha van Leer, that moves between the perspectives of the two main characters with passages from the fairy tale interspersed. The narration will captivate listeners. This tale earns its "happily ever after."-Sheila Acosta, Cody Library, San Antonio, TX (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Horn Book Review

High school pariah Delilah is delighted (and confused) when the prince in her favorite fairy tale begs to be liberated from the confines of his book. The clever premise never quite pans out. Prince Oliver's story is slow and disjointed, and Delilah remains a morose teen. That any teen would be enamored of Oliver and his lackluster adventure is doubtful. (c) Copyright 2012. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

In her first foray into teen fiction, Picoult and her co-author daughter deliver an enjoyable, metafictive twist on the traditional teen-romance novel. Delilah is a 15-year-old, self-professed loner who would rather have her head buried in a book than gossip about boys or play fashion police in the halls between classes. But it's not just any book that Delilah wants to lose herself in; it's an obscure fairy tale called Between the Lines with a dashing young prince who literally comes to life before her very eyes. Prince Oliver is equally captivated with Delilah, and the two embark on a quest to find a way and a world in which they can finally be together. Told from Delilah and Oliver's alternating points of view, this take on the traditional star-crossed-lovers tale will make for a light read for those preteens and early teens who aren't looking for more mature, emotionally complex love stories. Book lovers in particular are likely to get a kick out of the blurring of the lines between character and reader, fact and fiction. Periodic illustrations from the fairy tale Between the Lines function well as reminders of Oliver's fictive "reality," but others, too closely resembling clip art, are distracting and out of place. Fizzy fairy-tale fun. (Fantasy. 9-13)]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

Quirky loner Delilah discovers a fairy tale in her high-school library and develops a raging crush on its handsome prince. She is startled but delighted to discover that he can actually see her and speak to her. In alternating chapters Oliver and Delilah relate their adventures in liberating Oliver from the two-dimensional page into Delilah's three-dimensional world. Picoult's teenage daughter pitched the idea to her mother, and together the two have created a compulsively readable charmer. The teen dialogue and interior monologues feel authentic, while Picoult's practiced hand balances humor with larger issues such as abandonment, hope, and existential quandaries related to fate and human nature. Both silhouette and pencil drawings abound; characters climb in and around the text to excellent effect. Younger readers and their parents will appreciate the gentle, wholesome romance, with nary a shred of paranormal action. The tender, positive tone and effective pacing that builds to a satisfying finish will inspire readers to pass the book to a friend—or reread it themselves. HIGH-DEMAND BACKSTORY: Picoult's brand-name presence on the cover will draw readers for her first foray into YA lit, and a mother-daughter tour will help spread the word. Copyright 2012 Booklist Reviews.

Copyright 2012 Booklist Reviews.
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Publishers Weekly Reviews

Prolific and bestselling author Picoult teams up with her teenage daughter to pen a clever YA romance about the magical relationship between a loner and her fictional "Prince Charming." Imagine 15-year-old Delilah McPhee's surprise when she starts to have a conversation with Prince Oliver, the hero of a fairy tale she adores. From Oliver she learns that characters in a story lead very different lives when a book is shut—in Oliver's "reality," the story's villain is actually a butterfly aficionado, and Oliver has no interest in his betrothed, Seraphima. Elements from Picoult's other novels—alternating character viewpoints with distinguishing fonts, snappy chapter endings—are present, and the story is peppered with pop culture references to The Hunger Games, the Kindle Fire, and the X-Men, as well as comic relief in the form of characters like a talking horse that thinks it has a weight problem. The reason given for Delilah's obsession with the fairy tale—like her, Oliver grew up without a father—is weak, but that's unlikely to trouble readers who will be swept up by the romantic premise. Ages 12–up. Agent: Laura Gross, Laura Gross Literary Agency. (June)

[Page ]. Copyright 2012 PWxyz LLC

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School Library Journal Reviews

Gr 7–10—Fifteen-year-old Delilah likes nothing better than to escape into a book when high school life gets too depressing. But after the hero of her favorite fairy tale comes to life before her eyes, she starts to wonder if she's been spending too much time with books and not enough time with real people. Oliver, a 16-year-old prince, feels trapped in his story, reliving the same scenes over and over. He longs to leave his book, and he is attracted to Delilah, the reader he sees most often hovering above the pages. Delilah and Oliver may be from two different worlds, but they have an emotional connection. Will it be strong enough to bridge the gap that separates fantasy and reality? Written in collaboration with her teenage daughter, this light novel is a departure from Picoult's usual milieu. The story shifts between Delilah's and Oliver's perspectives and is interspersed with sections from the fairy tale in which Oliver is trapped. Full-color and black-and-white illustrations decorate some pages. While the writing style is polished and the pacing is good, the characters lack depth and the ending falls flat. On the whole, this book is a fluffy, fun read for younger teens, but one that lacks emotional punch.—Misti Tidman, Boyd County Public Library, Ashland, KY

[Page 110]. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Citations

APA Citation, 7th Edition (style guide)

Picoult, J., Van Leer, S., McKenzie, R. I., Cordero, N., & Jackson, S. M. (2012). Between the Lines (Unabridged). Recorded Books, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jodi Picoult et al.. 2012. Between the Lines. Recorded Books, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jodi Picoult et al.. Between the Lines Recorded Books, Inc, 2012.

Harvard Citation (style guide)

Picoult, J., Van Leer, S., McKenzie, R. I., Cordero, N. and Jackson, S. M. (2012). Between the lines. Unabridged Recorded Books, Inc.

MLA Citation, 9th Edition (style guide)

Picoult, Jodi, et al. Between the Lines Unabridged, Recorded Books, Inc., 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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