Year One: Chronicles of The One, Book 1
(Libby/OverDrive eBook, Kindle)

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Published
St. Martin's Publishing Group , 2017.
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Available from Libby/OverDrive

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Description

#1 NEW YORK TIMES BESTSELLER (December 2017)A stunning new novel from the #1 New York Times bestselling author Nora Roberts—Year One is an epic of hope and horror, chaos and magick, and a journey that will unite a desperate group of people to fight the battle of their lives…It began on New Year’s Eve.The sickness came on suddenly, and spread quickly. The fear spread even faster. Within weeks, everything people counted on began to fail them. The electrical grid sputtered; law and government collapsed—and more than half of the world’s population was decimated.Where there had been order, there was now chaos. And as the power of science and technology receded, magick rose up in its place. Some of it is good, like the witchcraft worked by Lana Bingham, practicing in the loft apartment she shares with her lover, Max. Some of it is unimaginably evil, and it can lurk anywhere, around a corner, in fetid tunnels beneath the river—or in the ones you know and love the most. As word spreads that neither the immune nor the gifted are safe from the authorities who patrol the ravaged streets, and with nothing left to count on but each other, Lana and Max make their way out of a wrecked New York City. At the same time, other travelers are heading west too, into a new frontier. Chuck, a tech genius trying to hack his way through a world gone offline. Arlys, a journalist who has lost her audience but uses pen and paper to record the truth. Fred, her young colleague, possessed of burgeoning abilities and an optimism that seems out of place in this bleak landscape. And Rachel and Jonah, a resourceful doctor and a paramedic who fend off despair with their determination to keep a young mother and three infants in their care alive.In a world of survivors where every stranger encountered could be either a savage or a savior, none of them knows exactly where they are heading, or why. But a purpose awaits them that will shape their lives and the lives of all those who remain.The end has come. The beginning comes next.

More Details

Format
eBook
Street Date
12/05/2017
Language
English
ISBN
9781250122988

Discover More

Also in this Series

  • Year one (Chronicles of the One Volume 1) Cover
  • Of blood and bone (Chronicles of the One Volume 2) Cover
  • The rise of magicks (Chronicles of the One Volume 3) Cover

Other Editions and Formats

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Similar Series From Novelist

NoveList provides detailed suggestions for series you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Though the romantic Chronicles of the One contains elements of the dystopian and the more bleak Raven's Mark hews toward the military, both post-apocalyptic fantasy series present destroyed lands in the grip of unimaginable evil. -- Mike Nilsson
In these post-apocalyptic epics, the magic-infused Chronicles and the horror-infused Passage series, each depicts a terrifying world destroyed by a pandemic and awaiting a savior to emerge from among a band of survivors. -- Mike Nilsson
These atmospheric post-apocalyptic epics depict the fall of civilization, the return of magic, and the arrival of a brave savior who will vanquish evil and bring peace to a ruined land. -- Mike Nilsson
These series have the appeal factors world-building, and they have the themes "band of survivors" and "pandemic apocalypse"; the genre "apocalyptic fiction"; the subjects "post-apocalypse" and "survival"; and characters that are "complex characters."
These series have the appeal factors world-building, and they have the themes "band of survivors," "pandemic apocalypse," and "chosen one"; the genre "apocalyptic fiction"; the subjects "post-apocalypse" and "end of the world"; and characters that are "well-developed characters."
These series have the appeal factors world-building, and they have the themes "band of survivors," "pandemic apocalypse," and "chosen one"; the genres "apocalyptic fiction" and "epic fantasy"; and the subjects "post-apocalypse," "magic," and "alliances."
These series have the appeal factors cinematic, world-building, and sweeping, and they have the themes "band of survivors," "pandemic apocalypse," and "chosen one"; the genres "apocalyptic fiction" and "dystopian fiction"; and the subjects "post-apocalypse," "good and evil," and "imaginary wars and battles."
These series have the themes "band of survivors," "pandemic apocalypse," and "chosen one"; the genre "apocalyptic fiction"; and the subjects "post-apocalypse," "end of the world," and "fate and fatalism."
These series have the appeal factors cinematic, violent, and world-building, and they have the themes "return of magic" and "chosen one"; the genre "fantasy fiction"; and the subjects "good and evil" and "magic."

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors world-building and sweeping, and they have the theme "band of survivors"; the genres "apocalyptic fiction" and "adult books for young adults"; and the subjects "end of the world," "post-apocalypse," and "good and evil."
These books have the appeal factors cinematic, evocative, and sweeping, and they have the themes "band of survivors" and "pandemic apocalypse"; the genre "apocalyptic fiction"; and the subjects "post-apocalypse," "magic," and "virus diseases."
Last ones left alive - Davis-Goff, Sarah
These books have the appeal factors cinematic, action-packed, and world-building, and they have the themes "band of survivors" and "pandemic apocalypse"; the genres "apocalyptic fiction" and "adult books for young adults"; the subject "post-apocalypse"; and characters that are "complex characters."
These books have the appeal factors cinematic and sweeping, and they have the themes "band of survivors," "pandemic apocalypse," and "large cast of characters"; the genre "apocalyptic fiction"; and the subjects "post-apocalypse," "epidemics," and "survival (after epidemics)."
Blackwing - McDonald, Ed.
NoveList recommends "Raven's Mark" for fans of "Chronicles of the One". Check out the first book in the series.
NoveList recommends "Montival novels" for fans of "Chronicles of the One". Check out the first book in the series.
In these fast-paced, plot-driven apocalyptic fantasy novels, pandemics decimate the human population, sparing only those with supernatural powers. Although romantic partnerships are central to both books, Year One emphasizes the role of friendship and community in supporting and sustaining relationships. -- NoveList Contributor
Bands of survivors fight for survival after a pandemic apocalypse (Year One) and a solar storm (After Sundown). After Sundown is romantic suspense while Year One is fantasy with romantic elements. -- Heather Cover
These books have the appeal factors cinematic and world-building, and they have the themes "band of survivors" and "pandemic apocalypse"; the genres "apocalyptic fiction" and "adult books for young adults"; and the subjects "post-apocalypse," "survival," and "survival (after disaster)."
These books have the appeal factors cinematic, world-building, and intricately plotted, and they have the theme "dark lord"; and the subject "survival (after disaster)."
NoveList recommends "Passage trilogy" for fans of "Chronicles of the One". Check out the first book in the series.
Pandemics divide survivors into factions in these apocalyptic novels, whose sprawling narratives introduce large ensemble casts. Although both books build to climactic good-versus-evil showdowns, Year One's world-building incorporates familiar fantasy elements, while The Stand blends science fiction and horror tropes. -- NoveList Contributor

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Suzanne Brockmann's military romances are good suggestions for readers of Nora Roberts's romantic suspense. Fans will appreciate Brockmann's bad boy heroes, the insider military details, the richly developed romance, and the fast-paced action-filled story. -- Katherine Johnson
Nora Roberts's romantic suspense novels are a good match for Eileen Goudge's similar romantic suspense novels: both feature compelling pace and edgy, dramatic plots. -- Rebecca Vnuk
Nora Roberts and Anne Stuart write darkly suspenseful, often erotically passionate tales of adventure that make good use of natural surroundings, providing layers of depth and emotional intensity. They specialize in redeeming a rogue through his interactions with a resourceful and courageous but out-of-her-depth heroine faced with endangerment and death. -- NoveList Contributor
Folks who like Nora Roberts's good old-fashioned romantic suspense sprinkled with a dash of flash should also try Elizabeth Adler. Both authors create intricately plotted stories, with intriguing back stories for the numerous characters. -- Krista Biggs
Both Jude Deveraux and Nora Roberts write contemporary romances sprinkled with paranormal elements and served with a side of humor. -- Shauna Griffin
Though Jasmine Guillory's writing is a touch steamier than Nora Roberts's, both are known for their compelling and heartwarming contemporary romances that explore the inner lives and desires of a variety of complex women. -- Stephen Ashley
Nora Roberts and Virginia Kantra both write in a range of Romance genres: contemporary, romantic suspense, and even paranormal. They often set their stories in small towns, featuring entire families of close-knit siblings who band together against the outside world, and in general their characters, plotlines, tone, and pacing appeal to similar reading tastes and genre preferences. -- Katherine Johnson
Nora Roberts and Fern Michaels address many of the same issues in their novels. Themes of abandonment, betrayal, grief, and the healing power of love prevail in their stories, and many offer female protagonists a second chance in life and career as well. -- Krista Biggs
Readers who enjoy a variety of subgenres of romance should explore the heartwarming, character-driven works of both Nora Roberts and Therese Beharrie. Beharrie tends to use supernatural elements a bit more often than Roberts. -- Stephen Ashley
Jayne Ann Krentz sometimes writes with more humor and a lighter touch than Nora Roberts, but both authors produce works of romantic suspense and novels with paranormal elements. These authors emphasize family connections plus the importance of friends and confidantes while including some suspense or mystery in all their books. -- Krista Biggs
Though Artist C. Arthur's books are heavier on steam than Nora Roberts's more heartwarming work, both are known for writing in several subgenres of romance and have a variety of titles in their catalogs that will appeal to fans of surprising plot twists and compelling love stories. -- Stephen Ashley
These authors' works have the genres "romantic suspense" and "contemporary romances"; and the subjects "interpersonal attraction" and "men-women relations."

Published Reviews

Booklist Review

It began on a small farm in Scotland immediately after the New Year when members of the MacLeod family became mysteriously ill. As the family returned to their own homes, they spread the sickness. Within a month, 1 million people had been stricken, and within a year, more than 2 billion people would be dead. The virus became known as Doom, because once you were infected, you were, indeed, doomed. However, there were some exceptions. The people who seemed to be immune became known as the Uncanny, and they were rumored to have strange powers. With Year One, the first in a new trilogy, romance superstar Roberts heads off in a daring new direction as she begins a pandemic sf series with a far more dystopian atmosphere than her previous fantasy novels. Longtime Roberts fans, however, shouldn't fret too much since the core elements here, including a cast of engaging and empathic characters and a plot that focuses on the importance of family, friends, hope, and humanity, are quintessential Roberts ingredients. What Roberts has done, with her radical departure, is ensure that she will find new fans among readers attracted to apocalyptic sf and speculative fiction. HIGH-DEMAND BACKSTORY: With a million-copy lay down and a major marketing campaign announcing the launch of Roberts' intense new series,demand is bound to go viral.--Charles, John Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

The entertaining latest from Roberts (Come Sundown), the first of a trilogy, concerns a magical blight that wipes out most of mankind and leaves some survivors with otherworldly powers. After what becomes known as the Doom is unwittingly unleashed by a hunter's bullet, Uncannys-people with magical inclinations, such as the witch Max Fallon and his lover, Lana Bingham-experience a surge in their abilities. Others discover newfound capabilities, like Little Fred, who realizes that she's a fairy. Then there are Uncannys like Max's bitter younger brother, Eric, who's long lived in Max's shadow and whose resentment darkens his inclinations. The world quickly divides into factions of good and evil as those immune to the Doom try to find one another and start over in communities. After dodging marauding gangs and evil Uncannys who want to kill her, Lana learns that she holds the key to saving this new world. Roberts knows how to write a page-turner, though her prose often relies on repetitive exposition and her attempts at depicting diversity can be cringeworthy ("I'm a good driver. No Asian driver cracks, black boy"). Characters are pretty much stock good or evil, but readers who are after a well-told apocalyptic story with magical touches will be satisfied. 1,000,000-copy announced first printing. (Dec.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

No one fully understands how the illness started, or how it spread so fast. But now more than half of the world's population is gone. In the wake of science and technology's failure to stop the plague, survivors begin to use magic. For those like Lana Bingham and her lover Max, it brings a peace few have known in this postapocalyptic world; for others, it unlocks their darker nature. As governmental factions hunt down those responsible for applying these paranormal powers, Lana and Max leave New York and search for Max's brother and friends out west. Along the way, they meet other travelers, some seeking to thrive, others to destroy. But their ultimate purpose awaits as once the End arrives, the Beginning will follow. VERDICT Roberts's full step into a modern fantasy series is long overdue. Fascinating characters and a well-built dystopia combine with a riveting plot that will attract a whole new group of readers. [See Prepub Alert, 6/26/17.]-KC © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

When the world as they know it ends, the survivors of a mysterious plague are faced with a new world in which both dark and light magic are rising."When Ross MacLeod pulled the trigger and brought down the pheasant, he had no way of knowing he'd killed himself. And billions of others." So begins the latest novel from publishing juggernaut Roberts, and the rest of the book is just as gripping. When a virus takes out nearly 80 percent of the Earth's human population, the survivors must figure out how to live in their new world, which includes the appearance of a varied set of magical abilities in a large part of the surviving population. Both the magick and un-magick people have violent factions which are trying to vanquish internal and external enemies, and good people from both groups have to band together in order to stay safe and establish a new order that honors life and decency. In one such community, witches Lana and Max are having a child, and from the moment of conception, it's obvious that the child will be magical. As her pregnancy advances, Lana begins to suspect that even in the context of the new magical paradigm, her child has a special destiny, an impression that becomes clearer when she realizes she and her unborn child are being hunted. Finding sanctuary on a remote farm, Lana ushers the child into the world, and soon both foes and allies begin to arrive at her doorstep, deepening Lana's belief that her daughter is meant for something great and dangerous. Roberts' new direction is electric and ground-breaking. In some ways, it's a synthesis of her past work: she's often written about magical elements, familyboth biological and emotionaland community. In this series launch, she's created a believable apocalypse that is obviously leading to a grand showdown between good and evil, but the story and the charactersthere are many, and she's made some choices that are going to stun her die-hard romance fansnavigate timely issues of tolerance and bigotry; fear of the Other; violence on behalf of perceived "purity" and misdirected religious zeal; and how good people combat evil.A fast-paced, mesmerizing, and thought-provoking novel that will no doubt add to Roberts' legions of fans. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

It began on a small farm in Scotland immediately after the New Year when members of the MacLeod family became mysteriously ill. As the family returned to their own homes, they spread the sickness. Within a month, 1 million people had been stricken, and within a year, more than 2 billion people would be dead. The virus became known as Doom, because once you were infected, you were, indeed, doomed. However, there were some exceptions. The people who seemed to be immune became known as the Uncanny, and they were rumored to have "strange" powers. With Year One, the first in a new trilogy, romance superstar Roberts heads off in a daring new direction as she begins a pandemic sf series with a far more dystopian atmosphere than her previous fantasy novels. Longtime Roberts fans, however, shouldn't fret too much since the core elements here, including a cast of engaging and empathic characters and a plot that focuses on the importance of family, friends, hope, and humanity, are quintessential Roberts ingredients. What Roberts has done, with her radical departure, is ensure that she will find new fans among readers attracted to apocalyptic sf and speculative fiction.HIGH-DEMANDBACKSTORY: With a million-copy lay down and a major marketing campaign announcing the launch of Roberts' intense new series,demand is bound to go viral. Copyright 2017 Booklist Reviews.

Copyright 2017 Booklist Reviews.
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Library Journal Reviews

In this launch of a sweeping hardcover trilogy, No. 1 New York Times best-selling author Roberts goes dystopic, conjuring a world where both government and the electrical grid have failed and half the population is destroyed by a virus. Fortunately, a community of spirited survivors, including former New Yorkers Lana and Max, are willing to begin again.

Copyright 2017 Library Journal.

Copyright 2017 Library Journal.
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Library Journal Reviews

No one fully understands how the illness started, or how it spread so fast. But now more than half of the world's population is gone. In the wake of science and technology's failure to stop the plague, survivors begin to use magic. For those like Lana Bingham and her lover Max, it brings a peace few have known in this postapocalyptic world; for others, it unlocks their darker nature. As governmental factions hunt down those responsible for applying these paranormal powers, Lana and Max leave New York and search for Max's brother and friends out west. Along the way, they meet other travelers, some seeking to thrive, others to destroy. But their ultimate purpose awaits as once the End arrives, the Beginning will follow. VERDICT Roberts's full step into a modern fantasy series is long overdue. Fascinating characters and a well-built dystopia combine with a riveting plot that will attract a whole new group of readers. [See Prepub Alert, 6/26/17.]—KC

Copyright 2017 Library Journal.

Copyright 2017 Library Journal.
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Publishers Weekly Reviews

The entertaining latest from Roberts (Come Sundown), the first of a trilogy, concerns a magical blight that wipes out most of mankind and leaves some survivors with otherworldly powers. After what becomes known as the Doom is unwittingly unleashed by a hunter's bullet, Uncannys—people with magical inclinations, such as the witch Max Fallon and his lover, Lana Bingham—experience a surge in their abilities. Others discover newfound capabilities, like Little Fred, who realizes that she's a fairy. Then there are Uncannys like Max's bitter younger brother, Eric, who's long lived in Max's shadow and whose resentment darkens his inclinations. The world quickly divides into factions of good and evil as those immune to the Doom try to find one another and start over in communities. After dodging marauding gangs and evil Uncannys who want to kill her, Lana learns that she holds the key to saving this new world. Roberts knows how to write a page-turner, though her prose often relies on repetitive exposition and her attempts at depicting diversity can be cringeworthy ("I'm a good driver. No Asian driver cracks, black boy"). Characters are pretty much stock good or evil, but readers who are after a well-told apocalyptic story with magical touches will be satisfied. 1,000,000-copy announced first printing. (Dec.)

Copyright 2017 Publishers Weekly.

Copyright 2017 Publishers Weekly.
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Citations

APA Citation, 7th Edition (style guide)

Roberts, N. (2017). Year One: Chronicles of The One, Book 1 . St. Martin's Publishing Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Roberts, Nora. 2017. Year One: Chronicles of The One, Book 1. St. Martin's Publishing Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Roberts, Nora. Year One: Chronicles of The One, Book 1 St. Martin's Publishing Group, 2017.

Harvard Citation (style guide)

Roberts, N. (2017). Year one: chronicles of the one, book 1. St. Martin's Publishing Group.

MLA Citation, 9th Edition (style guide)

Roberts, Nora. Year One: Chronicles of The One, Book 1 St. Martin's Publishing Group, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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