Ash
(Libby/OverDrive eBook, Kindle)

Book Cover
Average Rating
Contributors
Lo, Malinda Author
Published
Little, Brown Books for Young Readers , 2009.
Appears on list
Status
Available from Libby/OverDrive

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Description

The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo--now with an introduction by Holly Black, a letter from the author, a Q&A, and more!In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be granted.The day that Ash meets Kaisa, the King's Huntress, her heart begins to change. Instead of chasing fairies, Ash learns to hunt with Kaisa. Their friendship, as delicate as a new bloom, reawakens Ash's capacity for love--and her desire to live. But Sidhean has already claimed Ash for his own, and she must make a choice between fairy tale dreams and true love.Entrancing and empowering, Ash beautifully unfolds the connections between life and love, and solitude and death, where transformation can come from even the deepest grief.

More Details

Format
eBook
Street Date
09/01/2009
Language
English
ISBN
9780316071338

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Author Notes

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors romantic and world-building, and they have the theme "faerie realm"; the genre "fantasy fiction"; and the subjects "fairies," "enchantment," and "teenage romance."
These books have the appeal factors romantic and world-building, and they have the theme "faerie realm"; the genre "epic fantasy"; and the subjects "romantic love," "stepmothers," and "love."
These books have the appeal factors romantic, and they have the themes "asian-influenced fantasy," "faerie realm," and "southwest asian and north african (middle eastern)-influenced fantasy"; the genres "lgbtqia+ fiction" and "fairy tale and folklore-inspired fiction"; the subjects "lesbian teenagers," "enchantment," and "bisexual teenagers"; and include the identities "lesbian" and "lgbtqia+."
These romantic teen fantasy novels of young women in love draw their inspiration from well-known fairy tales -- Seafarer retells The Little Mermaid with a mischievous Norse twist, while Ash reimagines Cinderella as a dangerous flirtation with the faerie realm. -- Jamie Langer
These books have the appeal factors romantic, and they have the theme "faerie realm"; the genres "lgbtqia+ fiction" and "fairy tale and folklore-inspired fiction"; the subjects "lesbian teenagers," "fairies," and "enchantment"; and include the identities "lesbian" and "lgbtqia+."
These books have the genres "fantasy fiction" and "fairy tale and folklore-inspired fiction"; and the subject "enchantment."
These books have the appeal factors romantic and world-building, and they have the theme "faerie realm"; the genre "lgbtqia+ fiction"; the subjects "lesbian teenagers," "fairies," and "witches"; and include the identities "lesbian" and "lgbtqia+."
These books have the appeal factors lyrical, world-building, and own voices, and they have the theme "faerie realm"; the genres "fantasy fiction" and "fairy tale and folklore-inspired fiction"; and the subject "enchantment."
These books have the appeal factors romantic, and they have the theme "faerie realm"; the genres "lgbtqia+ fiction" and "fairy tale and folklore-inspired fiction"; the subjects "lesbian teenagers," "fairies," and "romantic love"; and include the identities "lesbian" and "queer."
These books have the appeal factors romantic and world-building, and they have the themes "asian-influenced fantasy," "faerie realm," and "southwest asian and north african (middle eastern)-influenced fantasy"; the genre "fairy tale and folklore-inspired fiction"; and the subjects "enchantment," "romantic love," and "love triangles."
These evocative fantasy novels reimagine the fairytale Cinderella, asking what might have happened if she fell for the king's huntress instead (Ash) or if a dystopian kingdom rose in her legacy (Cinderella is Dead). -- CJ Connor
These lyrical and romantic fantasy novels spin the fairy tales Cinderella (Ash) and Sleeping Beauty (Briarheart) into fresh stories with fairy realm settings. -- Malia Jackson

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
In their genre-spanning books for teens, Fonda Lee and Malinda Lo build intricately developed worlds that are sometimes inspired by Asian history and culture. Lee also writes for adults, and Lo's books often explore the LGBTQIA experience. -- Stephen Ashley
Amy Rose Capetta and Malinda Lo write lyrical, romantic, own voices speculative fiction featuring LGBTQIA characters. Both offer strong world-building, and both take inspiration from fairy tales or folklore. -- Rebecca Honeycutt
Both Nita Tyndall and Malinda Lo write about teen LGBTQIA+ characters coming of age across multiple genres. Their historical novels are about lesbian teens facing social and political pressure while discovering their sexual orientations, and they've each written suspenseful mysteries and bittersweet contemporary novels about love and loss. -- Tirzah Price
Both Ellen Oh and Malinda Lo write in a variety of genres but frequently focus on own voices fantasy for teens influenced by their Asian heritage (Oh is Korean; Lo is Chinese). Oh also writes for older kids, and Lo's books often explore the LGBTQIA experience. -- Stephen Ashley
These authors' works have the genres "lgbtqia+ fiction" and "fairy tale and folklore-inspired fiction"; the subjects "lesbian teenagers" and "teenage girl-girl relations"; and include the identities "lgbtqia+," "lesbian," and "gay."
These authors' works have the genre "lgbtqia+ fiction"; the subjects "lesbian teenagers," "fairies," and "teenage girl-girl relations"; and include the identities "lgbtqia+," "lesbian," and "asian."
These authors' works have the appeal factors world-building, and they have the genres "lgbtqia+ fiction" and "epic fantasy"; the subjects "lesbian teenagers," "fairies," and "teenage girl-girl relations"; and include the identities "lgbtqia+," "lesbian," and "gay."
These authors' works have the appeal factors evocative and atmospheric, and they have the genre "lgbtqia+ fiction"; the subjects "lesbian teenagers" and "teenage girl-girl relations"; and include the identities "lgbtqia+," "lesbian," and "gay."
These authors' works have the appeal factors romantic, hopeful, and world-building, and they have the genres "lgbtqia+ fiction" and "lgbtqia+ romances"; the subjects "lesbian teenagers" and "alliances"; and include the identities "lgbtqia+," "lesbian," and "gay."
These authors' works have the appeal factors romantic and world-building, and they have the genres "lgbtqia+ fiction" and "fairy tale and folklore-inspired fiction"; the subjects "lesbian teenagers," "fairies," and "teenage girl-girl relations"; and include the identities "lgbtqia+," "lesbian," and "gay."
These authors' works have the appeal factors romantic, and they have the genres "lgbtqia+ fiction" and "epic fantasy"; the subjects "lesbian teenagers," "teenage girl-girl relations," and "conspiracies"; and include the identities "lgbtqia+," "lesbian," and "gay."
These authors' works have the appeal factors world-building, and they have the genres "lgbtqia+ fiction" and "fairy tale and folklore-inspired fiction"; the subjects "fairies," "conspiracies," and "assassins"; and include the identities "lgbtqia+," "lesbian," and "gay."

Published Reviews

Booklist Review

In this groundbreaking, gender-mixing retelling, it's another woman at court, not the prince, who captures Cinderella's heart. After she loses both her parents, Aisling, or Ash, becomes a beleaguered servant to her cruel stepmother and husband-hunting stepsisters, but an enchantment allows her to attend a ball, where the prince finds her irresistible. Here, though, is where Lo's debut diverges from the original tale's familiar plot points. The magical godmother in this story is actually an ethereal male, Sidhean, whose fairy kingdom lies hidden in the vibrant, wild forest that Ash loves. Among the trees, she also meets Kaisa, the king's huntress, with whom she feels an overwhelming, real-world pull, and it's Kaisa, not the prince, who inspires Ash to make a perilous, soul-threatening pact with Sidhean and attend the court balls in enchanted disguise. Part heart-pounding lesbian romance and part universal coming-of-age story, Lo's powerful tale is richly embroidered with folklore and glittering fairy magic that will draw fans of Sharon Shinn's earthy, herb-laced fantasies.--Engberg, Gillian Copyright 2009 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

This debut, a retelling of Cinderella in which the heroine falls in love with a beautiful huntress rather than a prince, should establish Lo as a gifted storyteller. Aisling, aka Ash, is newly orphaned, her beloved mother dead and her father soon to follow. But not before he marries the woman who plays the part of Ash's wicked stepmother and provides her with equally unkind stepsisters. Only Ash's periodic trips into a fairy-filled wood at night and time spent with the beguiling huntress Kaisa-who enthralls Ash more and more-save her from her oppressive new existence. Lo's prose is beautiful, her descriptions lush; the novel's one flaw is that the third-person narrative keeps readers at arm's length. The dialogue is sparse, with Lo spending most of her time on narration, making it difficult to connect emotionally with Ash. This aside, Lo offers an important twist on a classic story that will appeal to a wide readership, especially those looking for a girl romance. Ages 15-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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School Library Journal Review

Gr 8 Up-Described as "Cinderella.with a twist," Ash is in many ways the familiar fairy tale about a girl's move from comfort to despair to true love (with a little help from fairies and magic). Standard Cinderella images set up the story: after losing her mother and later her father, Ash is treated as a servant in the home of an unkind stepmother and two unfriendly stepsisters. She has ties to the fairy world, attends the royal ball in an enchanted dress, catches the eye of the prince, and finds love by the end of the story. However, while structural similarities exist, ideologically Lo's beautiful and dark tale takes the story to a new place. It is not about Ash being found and saved by a charming prince; instead, it is about her courtship with Kaisa, the King's huntress, a relationship that burgeons over time and is based on more than just initial attraction. Despite Ash's grief, oppressive guardianship, and dangerous flirtation with the fairy Sidhean, who promises to steal her away from her sadness, the protagonist finds her own salvation and chooses to live and love in the real world and on her own terms. Ash will appeal to readers looking for GLBTQ titles, but fans of romance, fantasy, and strong female protagonists will also embrace this fine debut novel.-Jennifer Miskec, Longwood University, Farmville, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Horn Book Review

(High School) This promising debut novel, set in a pseudo-historical Celtic society in which magic is just starting to be regarded as superstition, adds a few new twists to the Cinderella story. Ash (short for Aisling), indentured to her stepmother following her father's death, escapes the drudgery of her new life in the city with visits to her old home (and her mother's grave) in the country. There she meets Sidhean, an enigmatic fairy with a mysterious connection to her mother -- and conflicting impulses regarding his interest in Ash. The first half of the book covers Ash's teen years and introduces her brash, modern-thinking stepfamily, who reject the Celtic mores Ash's rural community still adheres to. This opening may move slowly for some readers, but the time spent on world-building pays off when the second half picks up the pace, allowing readers a deepened sense of Ash's character as she forms an unlikely friendship, then falls in love, with the king's huntress, Kaisa. Their gradually developed relationship is heartfelt, presented with a stylized fairy-tale matter-of-factness that heightens the book's romantic aura and expands its audience. The juxtaposition of Kaisa and Sidhean as Ash's suitors is particularly thought-provoking -- Kaisa is warm and constant, tethering Ash to the real world, while Sidhean is changeable and seductive, offering an escape from the hardships of human existence -- and invites readers to consider the nature of fictional and folkloric constructs of romantic ideals. From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

An unexpected reimagining of the Cinderella tale, exquisite and pristine, unfolding deliberately. AislingAshknows the fairy stories and lore told her by her now-dead mother, but she does not know if she believes them. When her father dies and her stepmother and stepsisters move her away from the Wood to the City, she finds herself returning to her mother's grave, where she meets the fairy Sidhean. Ash barely notes her harsh treatment at the hands of her stepfamily, as she both longs for and fears her glimpses of Sidhean. He longs for her, too, in ways she is slow to understand. Ash also is slow to see Kaisa, the King's Huntress, as the source of her own desire. When she does, Ash turns to Sidhean to make it possible for her to spend time with Kaisa, despite the price Ash knows she will have to pay. Ash and Kaisa's dance at the King's Ball is a wild and gorgeous moment, no less so than the night Ash must spend in Sidhean's Wood. Beautiful language magically wrought; beautiful storytelling magically told. (Fantasy. 12 up) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

In this groundbreaking, gender-mixing retelling, it's another woman at court, not the prince, who captures Cinderella's heart. After she loses both her parents, Aisling, or Ash, becomes a beleaguered servant to her cruel stepmother and husband-hunting stepsisters, but an enchantment allows her to attend a ball, where the prince finds her irresistible. Here, though, is where Lo's debut diverges from the original tale's familiar plot points. The magical godmother in this story is actually an ethereal male, Sidhean, whose fairy kingdom lies hidden in the vibrant, wild forest that Ash loves. Among the trees, she also meets Kaisa, the king's huntress, with whom she feels an overwhelming, real-world pull, and it's Kaisa, not the prince, who inspires Ash to make a perilous, soul-threatening pact with Sidhean and attend the court balls in enchanted disguise. Part heart-pounding lesbian romance and part universal coming-of-age story, Lo's powerful tale is richly embroidered with folklore and glittering fairy magic that will draw fans of Sharon Shinn's earthy, herb-laced fantasies. Copyright 2009 Booklist Reviews.

Copyright 2009 Booklist Reviews.
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Publishers Weekly Reviews

This debut, a retelling of Cinderella in which the heroine falls in love with a beautiful huntress rather than a prince, should establish Lo as a gifted storyteller. Aisling, aka Ash, is newly orphaned, her beloved mother dead and her father soon to follow. But not before he marries the woman who plays the part of Ash's wicked stepmother and provides her with equally unkind stepsisters. Only Ash's periodic trips into a fairy-filled wood at night and time spent with the beguiling huntress Kaisa—who enthralls Ash more and more—save her from her oppressive new existence. Lo's prose is beautiful, her descriptions lush; the novel's one flaw is that the third-person narrative keeps readers at arm's length. The dialogue is sparse, with Lo spending most of her time on narration, making it difficult to connect emotionally with Ash. This aside, Lo offers an important twist on a classic story that will appeal to a wide readership, especially those looking for a girl romance. Ages 15–up. (Sept.)

[Page 60]. Copyright 2009 Reed Business Information.

Copyright 2009 Reed Business Information.
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School Library Journal Reviews

Gr 8 Up—Described as "Cinderella…with a twist," Ash is in many ways the familiar fairy tale about a girl's move from comfort to despair to true love (with a little help from fairies and magic). Standard Cinderella images set up the story: after losing her mother and later her father, Ash is treated as a servant in the home of an unkind stepmother and two unfriendly stepsisters. She has ties to the fairy world, attends the royal ball in an enchanted dress, catches the eye of the prince, and finds love by the end of the story. However, while structural similarities exist, ideologically Lo's beautiful and dark tale takes the story to a new place. It is not about Ash being found and saved by a charming prince; instead, it is about her courtship with Kaisa, the King's huntress, a relationship that burgeons over time and is based on more than just initial attraction. Despite Ash's grief, oppressive guardianship, and dangerous flirtation with the fairy Sidhean, who promises to steal her away from her sadness, the protagonist finds her own salvation and chooses to live and love in the real world and on her own terms. Ash will appeal to readers looking for GLBTQ titles, but fans of romance, fantasy, and strong female protagonists will also embrace this fine debut novel.—Jennifer Miskec, Longwood University, Farmville, VA

[Page 164]. Copyright 2008 Reed Business Information.

Copyright 2008 Reed Business Information.
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Reviews from GoodReads

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Citations

APA Citation, 7th Edition (style guide)

Lo, M. (2009). Ash . Little, Brown Books for Young Readers.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Lo, Malinda. 2009. Ash. Little, Brown Books for Young Readers.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Lo, Malinda. Ash Little, Brown Books for Young Readers, 2009.

Harvard Citation (style guide)

Lo, M. (2009). Ash. Little, Brown Books for Young Readers.

MLA Citation, 9th Edition (style guide)

Lo, Malinda. Ash Little, Brown Books for Young Readers, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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