The True Queen: Sorcerer Royal Series, Book 2
(Libby/OverDrive eAudiobook)

Book Cover
Average Rating
Author
Contributors
Cho, Zen Author
Sterlin, Jenny Narrator
Series
Published
Recorded Books, Inc. , 2019.
Appears on list
Status
Available from Libby/OverDrive

Available Platforms

Libby/OverDrive
Titles may be read via Libby/OverDrive. Libby/OverDrive is a free app that allows users to borrow and read digital media from their local library, including ebooks, audiobooks, and magazines. Users can access Libby/OverDrive through the Libby/OverDrive app or online. The app is available for Android and iOS devices.

Description

One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade In the follow-up to the "delightful" Regency fantasy novel (NPR.org) Sorcerer to the Crown, a young woman with no memories of her past finds herself embroiled in dangerous politics in England and the land of the fae. When sisters Muna and Sakti wake up on the peaceful beach of the island of Janda Baik, they can’t remember anything, except that they are bound as only sisters can be. They have been cursed by an unknown enchanter, and slowly Sakti starts to fade away. The only hope of saving her is to go to distant Britain, where the Sorceress Royal has established an academy to train women in magic.   If Muna is to save her sister, she must learn to navigate high society, and trick the English magicians into believing she is a magical prodigy. As she's drawn into their intrigues, she must uncover the secrets of her past, and journey into a world with more magic than she had ever dreamed.

More Details

Format
eAudiobook
Edition
Unabridged
Street Date
03/12/2019
Language
English
ISBN
9781490691442

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Also in this Series

  • Sorcerer to the crown (Sorcerer royal Volume 1) Cover
  • The true queen (Sorcerer royal Volume 2) Cover

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Author Notes

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Similar Series From Novelist

NoveList provides detailed suggestions for series you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These leisurely paced fantasies follow the fortunes of social undesirables (a formerly enslaved person in Sorcerer Royal and a vagrant girl in Black Magician) appointed to wield great magical powers in defense of their kingdoms. -- Mike Nilsson
Alternate British societies in which magic equals power serve as the settings of these atmospheric and compelling fantasy series, which introduce protagonists from humble backgrounds whose opportunities are dictated by social class. However, Sorcerer Royal also addresses race and gender. -- NoveList Contributor
A sorcerer (the character-driven Sorcerer Royal) and a necromancer (the plot-driven Necromancer Chronicles) must use their powers in these leisurely-paced fantasy series to protect their homelands. Where Sorcerer Royal is psychologically nuanced, Necromancer Chronicles is creepy and stylistically complex. -- Mike Nilsson
Set in a 19th-century England where magic is integral to England's safety (Sorcerer Royal) and intelligent dragons rule the skies (Temeraire), these character-driven historical fantasies boast drama, rich detail, and abundant atmosphere. -- Mike Nilsson
These series have the appeal factors leisurely paced and atmospheric, and they have the theme "court intrigue"; the genres "historical fantasy" and "fantasy fiction"; the subjects "wizards" and "magic"; and characters that are "complex characters."
These series have the appeal factors leisurely paced and atmospheric, and they have the theme "court intrigue"; the genres "historical fantasy" and "fantasy fiction"; the subjects "wizards," "imaginary empires," and "courts and courtiers"; and characters that are "complex characters" and "authentic characters."
These series have the theme "laws of magic"; the genres "historical fantasy" and "fantasy fiction"; the subjects "wizards" and "magic spells"; and characters that are "complex characters."
These series have the theme "court intrigue"; the genres "historical fantasy" and "fantasy fiction"; the subjects "class conflict," "magic," and "imaginary kingdoms"; and characters that are "complex characters."
These series have the appeal factors leisurely paced and stylistically complex, and they have the theme "court intrigue"; the genre "epic fantasy"; the subjects "wizards," "magic," and "dragons"; and characters that are "complex characters" and "authentic characters."

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors character-driven, and they have the theme "magic goes away"; the genres "historical fantasy" and "fantasy fiction"; the subjects "political intrigue," "wizards," and "magic"; and characters that are "authentic characters."
These books have the appeal factors intensifying, and they have the theme "court intrigue"; the genre "historical fantasy"; and the subjects "political intrigue," "islands," and "amnesia."
NoveList recommends "Necromancer chronicles" for fans of "Sorcerer royal". Check out the first book in the series.
NoveList recommends "Dark gifts trilogy" for fans of "Sorcerer royal". Check out the first book in the series.
These books have the themes "court intrigue" and "quest for magical items"; the genre "historical fantasy"; and the subjects "sisters," "women rulers," and "wizards."
These books have the appeal factors intensifying, and they have the themes "cursed!" and "court intrigue"; and the subjects "women magicians," "women rulers," and "curses."
Cursed women encounter passionate love (Mortal Follies) and political intrigue (True Queen) as they enlist the help of powerful sorceresses to break free from their enchantments. Both are engaging historical fantasy novels with captivating heroines set in alternate Regency England. -- Andrienne Cruz
These books have the appeal factors leisurely paced, atmospheric, and intricately plotted, and they have the themes "court intrigue" and "large cast of characters"; the genre "epic fantasy"; the subjects "political intrigue," "missing women," and "demons"; and characters that are "complex characters."
These books have the appeal factors stylistically complex and leisurely paced, and they have the themes "faerie realm," "court intrigue," and "hidden among us"; the genres "historical fantasy" and "fantasy fiction"; and characters that are "authentic characters."
Sisters fight to undo a curse and survive faerie realms in these intricately plotted, leisurely paced, and character-driven fantasy sophomore installments. Cursebound is set in an imaginary realm while The True Queen is set in an alternate 19th-century England. -- Andrienne Cruz
These books have the appeal factors intricately plotted, and they have the theme "court intrigue"; the genres "historical fantasy" and "gateway fantasy"; and the subjects "political intrigue," "women rulers," and "wizards."
NoveList recommends "Temeraire" for fans of "Sorcerer royal". Check out the first book in the series.

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Both authors use richly detailed, immersive settings and a culturally diverse cast of characters to explore themes of class, court intrigue, and privilege in their historical fantasy novels with authentic strong female characters and well-developed rules of magic. -- Jane Jorgenson
These authors' works have the genre "historical fantasy"; the subjects "class conflict," "asian people," and "southeast asian people"; and include the identity "asian."
These authors' works have the appeal factors leisurely paced and stylistically complex, and they have the genre "historical fantasy"; the subjects "racism," "asian people," and "lesbians"; include the identities "asian," "lgbtqia+," and "lesbian"; and characters that are "complex characters."
These authors' works have the appeal factors first person narratives, and they have the genres "fantasy fiction" and "historical fantasy"; the subjects "racism," "asian people," and "east asian people"; include the identity "asian"; and characters that are "authentic characters."
These authors' works have the appeal factors angst-filled and first person narratives, and they have the genre "historical fantasy"; the subjects "sisters," "family secrets," and "siblings"; include the identity "lgbtqia+"; and characters that are "complex characters," "authentic characters," and "flawed characters."
These authors' works have the genres "fantasy fiction" and "historical fantasy"; the subjects "sisters," "asian people," and "siblings"; include the identity "asian"; and characters that are "complex characters" and "authentic characters."
These authors' works have the appeal factors multiple perspectives, and they have the genres "fantasy fiction" and "historical fantasy"; the subjects "wizards," "magic," and "imaginary places"; include the identity "lgbtqia+"; and characters that are "complex characters."
These authors' works have the genres "fantasy fiction" and "historical fantasy"; the subjects "class conflict," "magic," and "political intrigue"; include the identity "lgbtqia+"; and characters that are "complex characters."
These authors' works have the genre "historical fantasy"; the subjects "racism," "freed people," and "slavery"; and characters that are "complex characters."
These authors' works have the appeal factors leisurely paced, atmospheric, and intricately plotted, and they have the genres "fantasy fiction" and "historical fantasy"; the subjects "jilted women," "former lovers," and "inheritance and succession"; and characters that are "complex characters."
These authors' works have the appeal factors intricately plotted, and they have the genres "fantasy fiction" and "historical fantasy"; the subjects "class conflict," "magic," and "sisters"; and characters that are "authentic characters" and "well-developed characters."
These authors' works have the appeal factors multiple perspectives, and they have the genre "historical fantasy"; the subjects "wizards," "magic," and "sexism"; and characters that are "complex characters."

Published Reviews

Booklist Review

Sisters Muna and Sakti are like two halves of a whole. Muna is calm; Sakti is fierce. Sakti has magic, while Muna does not, and neither have any memories of their past lives before being found on the shores of Janda Baik. The sisters know they have been cursed, and what is worse is that Sakti is beginning to disappear, literally. Her only hope is to go to Britain, where the Sorceress Royal, Prunella Wythe, has started an academy to train women in magic. However, Sakti is lost along the way, and Muna must convince her new instructors that she has power. As Muna tries to discover what happened to her sister, she is drawn into the machinations of society and class, and the truths she discovers will lead her straight to her past, in all its tragic glory. In her follow-up to Sorcerer to the Crown (2015), Cho continues to confront class and gender roles in an alternate Regency England while showcasing entertaining prose and characters. A delightful historical-fantasy novel that will capture readers in its layered story line.--Kristi Chadwick Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Cho returns to the alternate 19th-century England of Sorcerer to the Crown with a standalone tale full of delightful characters and devious plots. Sisters Sakti and Muna wake on the island of Janda Baik with no memories. Mak Genggang, a powerful witch, casts a spell revealing that Muna and Sakti are cursed. When Sakti begins fading, Mak sends Muna and Sakti through the land of Fairy to the magic academy for women run by England's Sorceress Royal, where they hope to find a cure. But Sakti gets lost in Fairy, and Muna must learn to navigate high society alone, uncover their lost past, save Sakti, and defeat the curse. Cho effortlessly layers a shrewd commentary on colonial hypocrisy and patriarchal double standards atop a riveting adventure set in an immersive magical society. Readers who take pains to ignore the heavy-handed hint in the title will enjoy the witty dialogue, touch of romance, and surprising twists and turns of Cho's entertaining historical fantasy. Agent: Caitlin Blasdell, Liza Dawson Assoc. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

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Library Journal Review

Here Cho follows up A Sorceror in the Crown. From its opening on the Malaysian island of Janda Baik, this Regency fantasy adventure focuses on sisters Muna and Sakti. Sakti is slowly fading away because of a curse, and the only hope of saving her is to go to distant Britain, where the Sorceress Royal has established an academy to train women in magic. Muna must learn to navigate high society and trick the English magicians into believing she is a magical prodigy if she's to have any hope of saving her sister. Themes of sisterhood, racism, oppression, and empowerment are woven into the fairly predictable plot, along with dragons, magic, comedy, and solid characters. Jenny Sterlin brings these light-hearted characters to life with her charming reading. VERDICT Fans of historical romance and fantasy will enjoy this light, fun story.--Denise Garofalo, Mount Saint Mary Coll., Newburgh, NY

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

Cho returns to the magical alternate Regency England of Sorcerer to the Crown (2015).A storm at sea leaves sisters Sakti and Muna washed up on the beach at Janda Baik without their memories and suffering from a curse. The powerful witch Mak Genggang grants the two young women her protection, but their effort to determine who cursed them takes them to Englandor at least, it takes Muna; Sakti is lost during the perilous journey through Fairy. Muna takes refuge with Prunella Wythe, Britain's controversial Sorceress Royal, who has opened up an Academy to teach young women to become magiciennes. Meanwhile, someone has stolen a powerful magical talisman from the Fairy Queen, and she blames England magicians in general and Prunella in particular, threatening to put them all to death if the item is not returned. Muna must find some way back into Fairy to find Sakti and dodge the wrathful Fairy Queen while concealing from Prunella and her fellow instructor, Miss Henrietta Stapleton, that she cannot do magic. It's not entirely clear why Muna feels she must hide the truth about her magic and her predicament in general other than her (somewhat reasonable, given the societal context) mistrust of the English or the author's need to inject additional tension into the plot. The title offers perhaps too strong a clue as to the real source of the Queen's anger as well as the nature of Sakti and Muna's predicament, but watching the strands of the plot converge and the details play out still offers some surprises and wonderful set pieces. There's even a sweet dash of romance at the end. As in her previous novel, Cho offers plenty of sharp commentary on the misogyny and colonialism of this magical version of Regency England, in which spells are thrilling and exotic when performed by a witch from the Far East but scandalous when cast by an Englishwoman.Perhaps not as groundbreaking as the debut but a solid follow-up, nonetheless. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

Sisters Muna and Sakti are like two halves of a whole. Muna is calm; Sakti is fierce. Sakti has magic, while Muna does not, and neither have any memories of their past lives before being found on the shores of Janda Baik. The sisters know they have been cursed, and what is worse is that Sakti is beginning to disappear, literally. Her only hope is to go to Britain, where the Sorceress Royal, Prunella Wythe, has started an academy to train women in magic. However, Sakti is lost along the way, and Muna must convince her new instructors that she has power. As Muna tries to discover what happened to her sister, she is drawn into the machinations of society and class, and the truths she discovers will lead her straight to her past, in all its tragic glory. In her follow-up to Sorcerer to the Crown (2015), Cho continues to confront class and gender roles in an alternate Regency England while showcasing entertaining prose and characters. A delightful historical-fantasy novel that will capture readers in its layered story line. Copyright 2019 Booklist Reviews.

Copyright 2019 Booklist Reviews.
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Library Journal Reviews

Cho returns to the world of her debut novel, Sorcerer to the Crown, in a story that relegates the Sorceress Royal to the background while bringing to the forefront Malay witch Muna and her best friend Henrietta. Muna's search for her lost sister takes the women from the ballrooms of England to the court of the Fairy Queen of the Djinn, a capricious and malevolent dragon who punishes her courtiers to cover up for her lack of true power and guilt of usurping her sister's throne. As Muna and Henrietta dive deeper into the machinations of the Fairy Court—and outrun its dangers—Muna discovers she's much more than she ever thought she might be and Henrietta accesses her inner fortitude in the nick of time. This Regency-based fantasy starts slowly as new characters and underlying mysteries are introduced. And the patience of those who immerse themselves in this world will be rewarded. Once Muna discovers her truth, the action kicks into high gear and doesn't let up until the satisfying conclusion. VERDICT Recommended for fans of the first book in the series and Mary Robinette Kowal's "Glamourist Histories" series as well as fantasy readers looking for a heroine's journey, with dragons.—Marlene Harris, Reading Reality, LLC, Duluth, GA

Copyright 2019 Library Journal.

Copyright 2019 Library Journal.
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PW Annex Reviews

Cho returns to the alternate 19th-century England of Sorcerer to the Crown with a standalone tale full of delightful characters and devious plots. Sisters Sakti and Muna wake on the island of Janda Baik with no memories. Mak Genggang, a powerful witch, casts a spell revealing that Muna and Sakti are cursed. When Sakti begins fading, Mak sends Muna and Sakti through the land of Fairy to the magic academy for women run by England's Sorceress Royal, where they hope to find a cure. But Sakti gets lost in Fairy, and Muna must learn to navigate high society alone, uncover their lost past, save Sakti, and defeat the curse. Cho effortlessly layers a shrewd commentary on colonial hypocrisy and patriarchal double standards atop a riveting adventure set in an immersive magical society. Readers who take pains to ignore the heavy-handed hint in the title will enjoy the witty dialogue, touch of romance, and surprising twists and turns of Cho's entertaining historical fantasy. Agent: Caitlin Blasdell, Liza Dawson Assoc. (Mar.)

Copyright 2019 Publishers Weekly Annex.

Copyright 2019 Publishers Weekly Annex.
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Citations

APA Citation, 7th Edition (style guide)

Cho, Z., & Sterlin, J. (2019). The True Queen: Sorcerer Royal Series, Book 2 (Unabridged). Recorded Books, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Cho, Zen and Jenny Sterlin. 2019. The True Queen: Sorcerer Royal Series, Book 2. Recorded Books, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Cho, Zen and Jenny Sterlin. The True Queen: Sorcerer Royal Series, Book 2 Recorded Books, Inc, 2019.

Harvard Citation (style guide)

Cho, Z. and Sterlin, J. (2019). The true queen: sorcerer royal series, book 2. Unabridged Recorded Books, Inc.

MLA Citation, 9th Edition (style guide)

Cho, Zen, and Jenny Sterlin. The True Queen: Sorcerer Royal Series, Book 2 Unabridged, Recorded Books, Inc., 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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