Dust Devil
(Libby/OverDrive eBook, Kindle)

*Starred Review* Children who know Angelica Longrider, the wildest wildcat in Tennessee in the Caldecott Honor Book Swamp Angel (1994), will cheer her return in this sequel, which sends the barefoot, bear-wrestling giant to Montana. After rearranging a mountain or two, Angel feels settled in her new home. All she needs is a horse powerful enough to support her Himalayan size, and she finds her answer when a dust storm hits in the summer of 1835. Leaping onto the swirling funnel clouds of grime, she wrestles the storm until it magically takes equine shape and becomes Dust Devil, her trusty sidekick, who arrives just in time to help her take on a team of larger-than-life bandits, led by Backward Bart. Once again, Isaacs' story and Zelinsky's oil-paint-on-wood artwork create a laugh-out-loud tall tale with folksy phrasing and slapstick exaggeration. There are really two adventures in one here, which makes for a lengthy read-aloud, but children will delight in the deadpan, Old West narration and every gleefully silly, expertly rendered visual detail, from Bart's steed (a saloon-sized mosquito) to Angel's full-branched pine-tree knitting needles. A few pourqoui elements wrap up this handsomely designed, thoroughly entertaining stand-alone sequel.--Engberg, Gillian Copyright 2010 Booklist

In this romping sequel, Isaacs's far-fetched tall tale is again paired with Zelinsky's stunning American-primitive paintings, framed by the wood upon which they are painted. Isaacs opens with a nod to the first lines of Adventures of Huckleberry Finn-"Unless you've read a book called Swamp Angel, you may not know about Angelica Longrider." The beginning of the story, in which Angel gets settled in her new home of Montana, is clever if overlong ("That's a beaut," she says creating Montana's buttes), but Isaacs more than delivers with a battle royal between Angel and a band of mosquito-riding cowboy scoundrels. Zelinsky's action-packed panoramas capture Angel's Paul Bunyanlike strength; when Angel rides a "bucking blast" of wind, Zelinsky morphs the tornado into a magnificent, cloud-colored horse that Angel names Dust Devil. Isaacs wraps her narrative in exaggeration that will have kids howling; "Talk about mean!" she says of Backward Bart's villainous gang. "They were pricklier than porcupines in a cactus patch." And she hints about a possible sequel when the desperadoes' gold fillings wash "downstream, all the way to California.... But that's another story." Ages 5-9. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

K-Gr 4-Zelinsky and Isaacs pull out all the stops in this dazzling companion to Swamp Angel (Dutton, 1994). Angelica "Angel" Longrider, the "wildest wildcat in Tennessee," has moved to Montana, "a country so sizable even Angel could fit in." The West seems to suit the feisty heroine, but she has trouble finding a horse powerful enough to carry her until she wrestles a violent storm and Dust Devil emerges mythically out of the fray. Isaacs's text, rich in playful language and alliteration, never misses the opportunity to make the most of the tall-tale convention as the formidable duo embark on a series of action-packed adventures centered on vanquishing a band of backward-speaking bad guys. Zelinsky has a heyday masterfully illustrating the high jinks with his meticulous oil paintings on cedar, aspen, and maple veneers, all of which are elegantly encased by a thin red border. Using softly glowing tones, he brands his own version of a Western folk style to flawlessly render the big-sky setting. The variety of layouts such as ovals, strips, and spot art effectively propel the hilarious, multilayered plot forward while panoramic spreads breathtakingly showcase the story's most dramatic moments. Readers will chuckle over the absurdity of the giant mosquitoes ridden by nasty Bart and his gang and learn the origins of buttes, geysers, the Grand Canyon, and even the California gold rush. A stunning tour de force and a satisfying continuation of Angel's saga.-Caroline Ward, The Ferguson Library, Stamford, CT (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Angelica Longrider, a.k.a. Swamp Angel (rev. 3/95), returns -- in 1831 Montana this time, not early Tennessee, and without a foe suitable to her outsize powers. Little by little, Angel improves the place. She picks up a few of the Rocky Mountains and deposits them one by one on the prairie to provide needed shade ("beauts," she calls them; hence buttes); she plants corn that shoots up to the sky, taking unwary cows along ("that whole summer it rained milk by the bucket"). Then a dust storm strikes, Angel rides the whirlwind, and in its midst she finds a giant horse, Dust Devil -- who will carry her in the pursuit of an outlaw band, the Flying Desperadoes, that occupies the rest of the book. This sequel takes too long to find its story, and the tall-tale embellishments are feeble by comparison with Swamp Angel. But Zelinsky makes the comical most of outlaw leader Backward Bart and his band (mounted on oversize mosquitoes) and the trouble they stir up. At the close, the mixed-up mosquitoes are drilling holes for geysers, Dust Devil has bolted from his corral with the "wild jiggershanks" and is shaving a cornfield bald, and Angel is placidly knitting up a river using tree trunks as needles. That's something to see. barbara bader (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Swamp Angel. Having outgrown Tennessee, Angel moves to roomy Montana, where she faces a wild dust-devil horse and a bandit named Backward Bart, born so ugly that his mother rolled him around backwards in his stroller. He walked, spoke and robbed backward ever since. Bart's garbled threats remain funny even after several readings. "Cash your gimme!" just doesn't get old. Side-splitting similes abound as well; Bart's nefarious cronies are "pricklier than porcupines in a cactus patch." Singsongy, colloquial narration guides readers from predicament to outlandish predicament with humor and folksy charm. Angel's antics, pictured in oval and rectangular panels and surrounded by rippling wood grains, neatly explain the topography of the West in traditional folk-story fashion (wrestling the bucking bronco, Angel's feet drag across the ground, creating the Grand Canyon). Zelinsky's rustic oil illustrations offer a gallery of comic faces, frozen in exaggerated surprise, shock and frustration. Artfully crude, comedic artwork, friendly, understated narration and a wildly hyperbolic story combine to create a new classic. (Picture book. 4-10)]] Copyright Kirkus Reviews, used with permission.

"*Starred Review* Children who know Angelica Longrider, the "wildest wildcat in Tennessee" in the Caldecott Honor Book Swamp Angel (1994), will cheer her return in this sequel, which sends the barefoot, bear-wrestling giant to Montana. After rearranging a mountain or two, Angel feels settled in her new home. All she needs is a horse powerful enough to support her Himalayan size, and she finds her answer when a dust storm hits in the summer of 1835. Leaping onto the swirling funnel clouds of grime, she wrestles the storm until it magically takes equine shape and becomes Dust Devil, her trusty sidekick, who arrives just in time to help her take on a team of larger-than-life bandits, led by Backward Bart. Once again, Isaacs' story and Zelinsky's oil-paint-on-wood artwork create a laugh-out-loud tall tale with folksy phrasing and slapstick exaggeration. There are really two adventures in one here, which makes for a lengthy read-aloud, but children will delight in the deadpan, Old West narration and every gleefully silly, expertly rendered visual detail, from Bart's steed (a saloon-sized mosquito) to Angel's full-branched pine-tree knitting needles. A few pourqoui elements wrap up this handsomely designed, thoroughly entertaining stand-alone sequel." Copyright 2010 Booklist Reviews.

In this romping sequel, Isaacs's far-fetched tall tale is again paired with Zelinsky's stunning American-primitive paintings, framed by the wood upon which they are painted. Isaacs opens with a nod to the first lines of Adventures of Huckleberry Finn--"Unless you've read a book called Swamp Angel, you may not know about Angelica Longrider." The beginning of the story, in which Angel gets settled in her new home of Montana, is clever if overlong ("That's a beaut," she says creating Montana's buttes), but Isaacs more than delivers with a battle royal between Angel and a band of mosquito-riding cowboy scoundrels. Zelinsky's action-packed panoramas capture Angel's Paul Bunyanlike strength; when Angel rides a "bucking blast" of wind, Zelinsky morphs the tornado into a magnificent, cloud-colored horse that Angel names Dust Devil. Isaacs wraps her narrative in exaggeration that will have kids howling; "Talk about mean!" she says of Backward Bart's villainous gang. "They were pricklier than porcupines in a cactus patch." And she hints about a possible sequel when the desperadoes' gold fillings wash "downstream, all the way to California.... But that's another story." Ages 5–9. (Sept.)

K-Gr 4—Zelinsky and Isaacs pull out all the stops in this dazzling companion to Swamp Angel (Dutton, 1994). Angelica "Angel" Longrider, the "wildest wildcat in Tennessee," has moved to Montana, "a country so sizable even Angel could fit in." The West seems to suit the feisty heroine, but she has trouble finding a horse powerful enough to carry her until she wrestles a violent storm and Dust Devil emerges mythically out of the fray. Isaacs's text, rich in playful language and alliteration, never misses the opportunity to make the most of the tall-tale convention as the formidable duo embark on a series of action-packed adventures centered on vanquishing a band of backward-speaking bad guys. Zelinsky has a heyday masterfully illustrating the high jinks with his meticulous oil paintings on cedar, aspen, and maple veneers, all of which are elegantly encased by a thin red border. Using softly glowing tones, he brands his own version of a Western folk style to flawlessly render the big-sky setting. The variety of layouts such as ovals, strips, and spot art effectively propel the hilarious, multilayered plot forward while panoramic spreads breathtakingly showcase the story's most dramatic moments. Readers will chuckle over the absurdity of the giant mosquitoes ridden by nasty Bart and his gang and learn the origins of buttes, geysers, the Grand Canyon, and even the California gold rush. A stunning tour de force and a satisfying continuation of Angel's saga.—Caroline Ward, The Ferguson Library, Stamford, CT