One Crazy Summer
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Description

In this Newbery Honor novel, New York Times bestselling author Rita Williams-Garcia tells the story of three sisters who travel to Oakland, California, in 1968 to meet the mother who abandoned them. A strong option for summer reading—take this book along on a family road trip or enjoy it at home.

This moving, funny novel won the Scott O'Dell Award for Historical Fiction and the Coretta Scott King Award and was a National Book Award Finalist. Delphine, Vonetta, and Fern's story continues in P.S. Be Eleven and Gone Crazy in Alabama.

Readers who enjoy Christopher Paul Curtis's The Watsons Go to Birmingham and Jacqueline Woodson’s Brown Girl Dreaming will find much to love in One Crazy Summer. Rita Williams-Garcia's books about Delphine, Vonetta, and Fern can also be read alongside nonfiction explorations of American history such as Jason Reynolds's and Ibram X. Kendi's books.

In One Crazy Summer, eleven-year-old Delphine is like a mother to her two younger sisters, Vonetta and Fern. She's had to be, ever since their mother, Cecile, left them seven years ago for a radical new life in California. But when the sisters arrive from Brooklyn to spend the summer with their mother, Cecile is nothing like they imagined.

While the girls hope to go to Disneyland and meet Tinker Bell, their mother sends them to a day camp run by the Black Panthers. Unexpectedly, Delphine, Vonetta, and Fern learn much about their family, their country, and themselves during one truly crazy summer.

This novel was the first featured title for Marley D’s Reading Party, launched after the success of #1000BlackGirlBooks. Maria Russo, in a New York Times list of "great kids' books with diverse characters," called it "witty and original."

"This vibrant and moving award-winning novel has heart to spare," commented Olugbemisola Rhuday-Perkovich in her Brightly article "Knowing Our History to Build a Brighter Future: Books to Help Kids Understand the Fight for Racial Equality."

More Details

Format
eBook, Kindle
Street Date
01/26/2010
Language
English
ISBN
9780061966675

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Also in this Series

  • One crazy summer (Gaither sisters Volume 1) Cover
  • P.S. Be eleven (Gaither sisters Volume 2) Cover
  • Gone crazy in Alabama (Gaither sisters Volume 3) Cover

Other Editions and Formats

Similar Series From Novelist

NoveList provides detailed suggestions for series you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Despite being set in radically different time periods, both moving, relatable series let readers really get to know a warm, loving set of sisters and the friends and family who surround them. -- Autumn Winters
These character-driven stories feature sisters who visit different family homes in each volume. Each is filled with quirky dysfunctional family dynamics, amusing situations, and a realistic portrayal of sisters, who often fight for and against each other with equal fervor. -- Lindsey Dunn
While Gaither Sisters happens over a much smaller timeframe than Family,Tree, both of these character-driven historical series explore how the issues of various time periods affect kids and the way people from different generations connect with one another. -- Stephen Ashley
Even though the Gaither sisters series is more upbeat and humorous than the Logan family series, readers interested in historical fiction about warm, loving African American families and the times in which they live will enjoy both. -- Autumn Winters
These historical series follow well-developed characters growing up in a tumultuous time and place. Moose moves to Alcatraz Island, currently holding notorious gangster Al Capone, while the Gaither sisters experience different aspects of the civil rights movement. -- Stephen Ashley
While Gaither Sisters is set during the Civil Rights era and Zora and Me in the early 1900s, these historical series focus on the relationships between African American girls and their families. Gaither is funnier, and Zora is more thoughtful. -- Stephen Ashley
These series have the appeal factors own voices, and they have the subjects "sisters," "girls," and "african american children."
These series have the appeal factors own voices, and they have the genres "historical fiction" and "african american fiction"; the subjects "american people," "african american children," and "african americans"; include the identity "black"; and characters that are "well-developed characters," "likeable characters," and "authentic characters."
These series have the genres "historical fiction" and "african american fiction"; the subjects "american people," "family relationships," and "african americans"; include the identity "black"; and characters that are "well-developed characters" and "likeable characters."
These series have the appeal factors own voices, and they have the subjects "sisters" and "siblings"; and characters that are "well-developed characters" and "likeable characters."

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
The great good summer - Scanlon, Liz Garton
Over the course of a life-changing summer, the capable girls in these poignant, authentic books travel far from home in the hopes of becoming closer (either geographically or emotionally) to their mothers. Delphine (Crazy) grapples with politics; Ivy (Great) with faith. -- Rebecca Honeycutt
The importance of names is paramount in these stylistically complex, character-driven own voices novels featuring likable girls in new environments who face racism and forge family bonds. -- NoveList Advisor
Displaced girls with ties to the Black Panthers struggle with family issues, as well as friendship concerns (in Cloud) in these moving, character-driven, own voices novels set in California during the second half of the twentieth century. -- NoveList Advisor
With family relationships at their core, each of these issue-oriented books set in earlier times stars lively, likable girls. They also present America's Black Panthers (Crazy) and New Zealand's Polynesian Panthers (Raid), activist groups whose social programs help their communities. -- NoveList Advisor
In these first-person historical novels with lyrical writing, believable dialogue, and well-developed characters, resilient Black children confront racism as they establish their own their identities. Clem is set in Chicago during World War II; Crazy Summer is in Oakland, CA in 1968. -- NoveList Advisor
Eleven-year-old girls connect with estranged relatives and gain a deeper understanding of both themselves and their families in these warm, authentic books, both of which are populated by vivid characters and infused with lively humor. -- Rebecca Honeycutt
Smart, hard-headed big sisters meet their match when they move in with equally tough and unconventional relatives in both character-driven books. A strong sense of place and spot-on dialogue add authenticity to both stories. -- Autumn Winters
Even though Revolution in our Time is narrative non-fiction and One Crazy Summer is historical fiction, each of these own voices books, which highlights the social activism of the Black Panthers, is compelling, richly detailed, thought-provoking, and character-driven. -- NoveList Advisor
These stories of African American girls traveling across the country to learn more about their family and heritage will appeal to readers who enjoy character-driven coming-of-age stories. One Crazy Summer is set in 1968, while Some Places is contemporary. -- NoveList Contributor
Spunky, likeable tween girls witness firsthand the community-building and ethnic solidarity at the core of major social movements of the mid-twentieth century (Black Panthers in Summer, Young Lords in Revolution) in these feel-good historical fiction books. -- Hannah Gomez
Readers looking for strong African American girls in historical novels with richly detailed urban settings will enjoy these moving novels. One Crazy Summer is set in 1968 Oakland and Ice Cream is set in 1984 Harlem. -- NoveList Contributor
Both of these moving, character-driven and issue-oriented novels set in mid-twentieth century America are about 11-year-old girls in search of the parent who abandoned them. -- Julie Corsaro

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Rita Williams-Garcia and Jacqueline Woodson write compelling, issue-oriented novels. Both authors address issues of class and race while also emphasizing the importance of friendships and family in helping their strong protagonists surmount the obstacles they face. -- Kelly White
In their moving, character-driven, own voices fiction, both Mildred D. Taylor and Rita Williams-Garcia explore the Black experience. Both write historical fiction, but Williams-Garcia also writes contemporary stories and books for younger children. -- Stephen Ashley
Both Christopher Paul Curtis and Rita Williams-Garcia paint pictures with their words, using imagery and colloquial dialogue to bring stories to life. Their character-driven novels center around the experiences of Black kids and teens and often feature richly drawn historical settings. -- NoveList Contributor
Both authors are known for their moving, reflective books for older kids about Black girls who find courage in contemporary, historical, or even magical settings. Alice Randall also writes for adults; Rita Williams-Garcia primarily writes children's books. -- CJ Connor
Though Rita Williams-Garcia's tone is more unflinching and streetwise than Angela Johnson's, both authors create vivid, compelling stories about Black teens dealing with life-changing issues. Both authors employ a rhythmic, lyrical style, though Williams-Garcia's work is more stylistically complex than Johnson's spare prose. -- Kelly White
These authors' works have the subjects "african american children," "civil rights movement," and "african american families."
These authors' works have the subjects "african american children," "eleven-year-old girls," and "african american families."
These authors' works have the appeal factors emotionally intense, and they have the subjects "african american children," "eleven-year-old girls," and "poets."
These authors' works have the appeal factors emotionally intense, and they have the genre "african american fiction"; and the subjects "african american children," "african american families," and "african american teenagers."
These authors' works have the appeal factors emotionally intense, and they have the subjects "african american children," "eleven-year-old girls," and "civil rights movement."
These authors' works have the genre "african american fiction"; the subjects "north american people," "eleven-year-old girls," and "african american families"; and include the identity "black."
These authors' works have the appeal factors emotionally intense, stylistically complex, and nonlinear, and they have the subjects "sisters," "eleven-year-old girls," and "mothers."

Published Reviews

Booklist Review

*Starred Review* Eleven-year-old Delphine has only a few fragmented memories of her mother, Cecile, a poet who wrote verses on walls and cereal boxes, played smoky jazz records, and abandoned the family in Brooklyn after giving birth to her third daughter. In the summer of 1968, Delphine's father decides that seeing Cecile is something whose time had come, and Delphine boards a plane with her sisters to Cecile's home in Oakland. What they find there is far from their California dreams of Disneyland and movie stars. No one told y'all to come out here, Cecile says. No one wants you out here making a mess, stopping my work. Like the rest of her life, Cecile's work is a mystery conducted behind the doors of the kitchen that she forbids her daughters to enter. For meals, Cecile sends the girls to a Chinese restaurant or to the local, Black Panther-run community center, where Cecile is known as Sister Inzilla and where the girls begin to attend youth programs. Regimented, responsible, strong-willed Delphine narrates in an unforgettable voice, but each of the sisters emerges as a distinct, memorable character, whose hard-won, tenuous connections with their mother build to an aching, triumphant conclusion. Set during a pivotal moment in African American history, this vibrant novel shows the subtle ways that political movements affect personal lives; but just as memorable is the finely drawn, universal story of children reclaiming a reluctant parent's love.--Engberg, Gillian Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Williams-Garcia (Jumped) evokes the close-knit bond between three sisters, and the fervor and tumultuousness of the late 1960s, in this period novel featuring an outspoken 11-year-old from Brooklyn, N.Y. Through lively first-person narrative, readers meet Delphine, whose father sends her and her two younger sisters to Oakland, Calif., to visit their estranged mother, Cecile. When Cecile picks them up at the airport, she is as unconventional as Delphine remembers ("There was something uncommon about Cecile. Eyes glommed onto her. Tall, dark brown woman in man's pants whose face was half hidden by a scarf, hat, and big dark shades. She was like a colored movie star"). Instead of taking her children to Disneyland as they had hoped, Cecile shoos them off to the neighborhood People's Center, run by members of the Black Panthers. Delphine doesn't buy into all of the group's ideas, but she does come to understand her mother a little better over the summer. Delphine's growing awareness of injustice on a personal and universal level is smoothly woven into the story in poetic language that will stimulate and move readers. Ages 9-12. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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School Library Journal Review

Gr 4-7-It is 1968, and three black sisters from Brooklyn have been put on a California-bound plane by their father to spend a month with their mother, a poet who ran off years before and is living in Oakland. It's the summer after Black Panther founder Huey Newton was jailed and member Bobby Hutton was gunned down trying to surrender to the Oakland police, and there are men in berets shouting "Black Power" on the news. Delphine, 11, remembers her mother, but after years of separation she's more apt to believe what her grandmother has said about her, that Cecile is a selfish, crazy woman who sleeps on the street. At least Cecile lives in a real house, but she reacts to her daughters' arrival without warmth or even curiosity. Instead, she sends the girls to eat breakfast at a center run by the Black Panther Party and tells them to stay out as long as they can so that she can work on her poetry. Over the course of the next four weeks, Delphine and her younger sisters, Vonetta and Fern, spend a lot of time learning about revolution and staying out of their mother's way. Emotionally challenging and beautifully written, this book immerses readers in a time and place and raises difficult questions of cultural and ethnic identity and personal responsibility. With memorable characters (all three girls have engaging, strong voices) and a powerful story, this is a book well worth reading and rereading.-Teri Markson, Los Angeles Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Horn Book Review

It's the summer of 1968, and eleven-year-old Delphine reluctantly shepherds her two younger sisters on their trip from Brooklyn to Oakland, where the mother who deserted them now lives. Thoroughly coached by her grandmother about how little Negro girls should behave to avoid scenes, Delphine maintains her own sensibility about what is appropriate and makes sure her sisters toe the line. Their mother Cecile is far from welcoming, sending them each day to the People's Center run by the Black Panthers to keep them out of her way while she writes her poetry. At the center, the girls get free food and an education in revolution. Williams-Garcia writes about that turbulent summer through the intelligent, funny, blunt voice of Delphine, who observes outsiders and her own family with shrewdness and a keen perception of why they each behave the way they do. Never afraid to stand up to anyone or anything, Delphine copes with her equally strong-willed mother calmly, "because that's how you treat crazy people." She takes over when she has to, and during the course of their month-long visit she refines her understanding of her mother and herself. The setting and time period are as vividly realized as the characters, and readers will want to know more about Delphine and her sisters after they return to Brooklyn with their radical new ideas about the world. From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

A flight from New York to Oakland, Calif., to spend the summer of 1968 with the mother who abandoned Delphine and her two sisters was the easy part. Once there, the negative things their grandmother had said about their mother, Cecile, seem true: She is uninterested in her daughters and secretive about her work and the mysterious men in black berets who visit. The sisters are sent off to a Black Panther day camp, where Delphine finds herself skeptical of the worldview of the militants while making the best of their situation. Delphine is the pitch-perfect older sister, wise beyond her years, an expert at handling her siblings: "Just like I know how to lift my sisters up, I also knew how to needle them just right." Each girl has a distinct response to her motherless state, and Williams-Garcia provides details that make each characterization crystal clear. The depiction of the time is well done, and while the girls are caught up in the difficulties of adults, their resilience is celebrated and energetically told with writing that snaps off the page. (Historical fiction. 9-12) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

*Starred Review* Eleven-year-old Delphine has only a few fragmented memories of her mother, Cecile, a poet who wrote verses on walls and cereal boxes, played smoky jazz records, and abandoned the family in Brooklyn after giving birth to her third daughter. In the summer of 1968, Delphine's father decides that seeing Cecile is "something whose time had come," and Delphine boards a plane with her sisters to Cecile's home in Oakland. What they find there is far from their California dreams of Disneyland and movie stars. "No one told y'all to come out here," Cecile says. "No one wants you out here making a mess, stopping my work." Like the rest of her life, Cecile's work is a mystery conducted behind the doors of the kitchen that she forbids her daughters to enter. For meals, Cecile sends the girls to a Chinese restaurant or to the local, Black Panther–run community center, where Cecile is known as Sister Inzilla and where the girls begin to attend youth programs. Regimented, responsible, strong-willed Delphine narrates in an unforgettable voice, but each of the sisters emerges as a distinct, memorable character, whose hard-won, tenuous connections with their mother build to an aching, triumphant conclusion. Set during a pivotal moment in African American history, this vibrant novel shows the subtle ways that political movements affect personal lives; but just as memorable is the finely drawn, universal story of children reclaiming a reluctant parent's love. Copyright 2010 Booklist Reviews.

Copyright 2010 Booklist Reviews.
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Publishers Weekly Reviews

Williams-Garcia (Jumped) evokes the close-knit bond between three sisters, and the fervor and tumultuousness of the late 1960s, in this period novel featuring an outspoken 11-year-old from Brooklyn, N.Y. Through lively first-person narrative,readers meet Delphine, whose father sends her and her two younger sisters to Oakland, Calif., to visit their estranged mother, Cecile. When Cecile picks them up at the airport, she is as unconventional as Delphine remembers ("There was something uncommon about Cecile. Eyes glommed onto her. Tall, dark brown woman in man's pants whose face was half hidden by a scarf, hat, and big dark shades. She was like a colored movie star"). Instead of taking her children to Disneyland as they had hoped, Cecile shoos them off to the neighborhood People's Center, run by members of the Black Panthers. Delphine doesn't buy into all of the group's ideas, but she does come to understand her mother a little better over the summer. Delphine's growing awareness of injustice on a personal and universal level is smoothly woven into the story in poetic language that will stimulate and move readers. Ages 9–12. (Jan.)

[Page 47]. Copyright 2010 Reed Business Information.

Copyright 2010 Reed Business Information.
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School Library Journal Reviews

Gr 4–7—It is 1968, and three black sisters from Brooklyn have been put on a California-bound plane by their father to spend a month with their mother, a poet who ran off years before and is living in Oakland. It's the summer after Black Panther founder Huey Newton was jailed and member Bobby Hutton was gunned down trying to surrender to the Oakland police, and there are men in berets shouting "Black Power" on the news. Delphine, 11, remembers her mother, but after years of separation she's more apt to believe what her grandmother has said about her, that Cecile is a selfish, crazy woman who sleeps on the street. At least Cecile lives in a real house, but she reacts to her daughters' arrival without warmth or even curiosity. Instead, she sends the girls to eat breakfast at a center run by the Black Panther Party and tells them to stay out as long as they can so that she can work on her poetry. Over the course of the next four weeks, Delphine and her younger sisters, Vonetta and Fern, spend a lot of time learning about revolution and staying out of their mother's way. Emotionally challenging and beautifully written, this book immerses readers in a time and place and raises difficult questions of cultural and ethnic identity and personal responsibility. With memorable characters (all three girls have engaging, strong voices) and a powerful story, this is a book well worth reading and rereading.—Teri Markson, Los Angeles Public Library

[Page 170]. Copyright 2008 Reed Business Information.

Copyright 2008 Reed Business Information.
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Citations

APA Citation, 7th Edition (style guide)

Williams-Garcia, R. (2010). One Crazy Summer . HarperCollins.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Williams-Garcia, Rita. 2010. One Crazy Summer. HarperCollins.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Williams-Garcia, Rita. One Crazy Summer HarperCollins, 2010.

Harvard Citation (style guide)

Williams-Garcia, R. (2010). One crazy summer. HarperCollins.

MLA Citation, 9th Edition (style guide)

Williams-Garcia, Rita. One Crazy Summer HarperCollins, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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