The Friday afternoon club : a family memoir
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New York : Penguin Press, 2024.
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Description

The instant New York Times bestseller • Named a Best Book of the Year by TIME, NPR, People, Town & Country, and Air Mail“Warm and perceptive.” New York Times“Griffin Dunne knows how to tell a story." Washington Post"Dunne is a prospector for the incandescent detail.” Los Angeles Times“What a remarkable and moving story filled with twists and turns, the most famous of faces, and a complex family revealed with loving candor. I was blown away by Griffin Dunne’s life and his ability to capture so much of it in these beautifully written pages.” —Anderson CooperGriffin Dunne’s memoir of growing up among larger-than-life characters in Hollywood and Manhattan finds wicked humor and glimmers of light in even the most painful of circumstancesAt eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan’s Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin’s twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne’s career as a crime reporter for Vanity Fair and a victims' rights activist.And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters—its author most of all.

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Published
New York : Penguin Press, 2024.
Format
Book
Physical Desc
385 pages, 8 unnumbered pages of plates : photographs (some color) ; 25 cm
Language
English

Notes

Description
"At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne's legendary LA launch party for Tom Wolfe's The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan's Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin's twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne's career as a crime reporter for Vanity Fair and a victims' rights activist. And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters--its author most of all."-- Dust jacket flap.

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These books have the appeal factors reflective and candid, and they have the genres "book club best bets" and "family and relationships -- growing up"; and the subjects "actors and actresses," "families," and "growing up."
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Readers curious what it's like to grow up in a famous family will appreciate these candid memoirs by authors who were once roommates. Both delve into tough topics like mental illness (Princess) and losing a sibling to murder (Friday Afternoon). -- Malia Jackson
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Money, murder, and Dominick Dunne: a life in several acts - Hofler, Robert
While Money, Murder has a gossipier tone than The Friday Afternoon Club, both books profile members of a celebrated Hollywood family. Money is a well-researched biography of Dominick Dunne; Friday Afternoon is a candid memoir by his son Griffin Dunne. -- Malia Jackson

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Published Reviews

Booklist Review

Readers of actor and producer Dunne's first book will find themselves often flipping to its stunning black-and-white cover photo. Among its dozen faces are a teenage Dunne; his striking mother, Lenny; his writer father, Dominick; Dominick's writer brother and frequent feuding partner, John; and John's wife, Joan Didion. One little face belongs to Dunne's younger sister, Dominique, whose murder at 22 would devastate and redefine the family. All their stories and more make up Dunne's captivating memoir of celebrity from all sides, which is beyond entertaining, honest in confronting heartbreaks and jealousies, often genuinely funny, and somehow understated. Dunne recalls staggering personal stories about a who's-who of famous people in the Dunnes' orbit alongside his own coming-of-age, early career turns, and the crushing experience of attending the trial for his sister's killer. It's a testament to his talent that his legacy doesn't weigh the book down. Instead, Dunne's storytelling is buoyant, his prose crisp; he's most definitely a writer, too. This clear-eyed, heartfelt memoir ends with the birth of Dunne's daughter in 1990; readers will hope for future books.

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

After Hours actor Griffin recounts in his bittersweet debut how movies, madness, and murder have touched his celebrated American family. Dunne presents his recollections as a colorful ensemble piece starring his accomplished relatives, including his father, Dominick, who torpedoed his career as a Hollywood producer by insulting a powerful agent, then became a famous novelist; his mother, Ellen, who carried on several affairs; his brother, Alex, a brilliant writer; his sister, Dominique, an actor who costarred in Poltergeist; and his uncle and aunt by marriage, authors John Gregory Dunne and Joan Didion. The narrative is a swirl of parties, crude jokes, and sharply etched celebrity cameos, including a pre-fame, pot-smoking Harrison Ford, still working as a carpenter ("His stuff was so strong that after one toke I couldn't tell the difference between a saw and a tape measure"), and a magnificently bratty Carrie Fisher. But there are darker currents, too: Dominick's closeted homosexuality; Ellen's diagnosis of multiple sclerosis; Alex's intermittent psychosis. Anchoring the book is an account of 22-year-old Dominique's death by strangulation, and her ex-boyfriend John Sweeney's subsequent conviction on a relatively minor manslaughter charge. Dunne's writing is vivid, openhearted, and full of a rich irony that inflects even the most emotional scenes, as when he recalls an extra on the set of the gangster spoof Johnny Dangerously offering to have his mob associates kill Sweeney. The result is a raucously entertaining homage to an unforgettable dynasty. Agents: David Kuhn and Nate Muscato, Aevitas Creative Management. (June)

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Library Journal Review

Successful actor/director/producer Dunne is the oldest son of journalist and victim rights' activist Dominick Dunne (1925--2009) and the nephew of novelist/essayist Joan Didion (1934--2021). In this searing and powerful memoir, readers learn about the author's troubled childhood and adolescence. After dire experiences at two boarding schools, he headed for New York with dreams of becoming a successful actor. While he looked for work, his friend and roommate Carrie Fisher filmed Star Wars. His sister, Dominique, created the titular Friday Afternoon Club when she became an actor; in addition to Griffin, she would invite her friends to the club, including a young George Clooney. Griffin Dunne got a foothold in film by producing several movies and eventually starred in An American Werewolf in London and After Hours, which he also coproduced. Everything changed in 1982, when Dominique, age 22 at the time, was murdered. The court convicted her ex-boyfriend, John Sweeney, on a reduced charge of voluntary manslaughter. The tragedy changed the family and the course of Dominick Dunne's career, inspiring him to become a crime reporter. VERDICT Raw and painful to read at times but compelling in its honesty, this memoir about the Dunnes will appeal to movie and true-crime fans.--Penelope J.M. Klein

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

A moving memoir from the actor and producer. Conventional wisdom says we cannot choose family or fate. In this tribute to his famous family, Dunne (b. 1955) reminds readers to love family and do the best with what fate sends along. Bookended by the shocking murder of his sister, Dominique, and the birth of his daughter, Hannah, the narrative retraces the author's history, offering colorful snippets of life in an intriguing, privileged milieu. In Dunne's fascinating world, his father, writer and investigative journalist Dominick Dunne, swaps acrimonious barbs with literati brother and sister-in-law, John Gregory Dunne and Joan Didion ("Joan was a 'serious writer,' Dad ex-plained to his children, 'not like the hacks' he'd hired to write at Four Star [Television]"). Carrie Fisher is a confidante--"best friends become best friends suddenly, and without knowing that's what's happening until it happens"--and celebrities drop in for parties and dinners. Despite the glamorous backdrops in California and New York, the author portrays a family whose core human experiences make them universally relatable. Dunne is candid about his father's demons and substance abuse, which stoked the embers of a tumultuous marriage. He compassionately chronicles his mother's battle with multiple sclerosis, and he gently examines the sibling dynamics between the three Dunne children (one of whom is mentally ill, and to whom he dedicates the book). Dunne also chronicles his own slow climb toward fame, an ascent he has navigated on his own terms. The tragedy of Dominique's murder looms throughout, and the author capably describes stepping into two of the most challenging roles of his life to date: filming Johnny Dangerously while simultaneously supporting his family in their quest for justice for Dominique. A poignant love letter and evidence that through it all, genuine love is the backbone that keeps a family strong. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

Readers of actor and producer Dunne's first book will find themselves often flipping to its stunning black-and-white cover photo. Among its dozen faces are a teenage Dunne; his striking mother, Lenny; his writer father, Dominick; Dominick's writer brother and frequent feuding partner, John; and John's wife, Joan Didion. One little face belongs to Dunne's younger sister, Dominique, whose murder at 22 would devastate and redefine the family. All their stories and more make up Dunne's captivating memoir of celebrity from all sides, which is beyond entertaining, honest in confronting heartbreaks and jealousies, often genuinely funny, and somehow understated. Dunne recalls staggering personal stories about a who's-who of famous people in the Dunnes' orbit alongside his own coming-of-age, early career turns, and the crushing experience of attending the trial for his sister's killer. It's a testament to his talent that his legacy doesn't weigh the book down. Instead, Dunne's storytelling is buoyant, his prose crisp; he's most definitely a writer, too. This clear-eyed, heartfelt memoir ends with the birth of Dunne's daughter in 1990; readers will hope for future books. Copyright 2024 Booklist Reviews.

Copyright 2024 Booklist Reviews.
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Library Journal Reviews

Successful actor/director/producer Dunne is the oldest son of journalist and victim rights' activist Dominick Dunne (1925–2009) and the nephew of novelist/essayist Joan Didion (1934–2021). In this searing and powerful memoir, readers learn about the author's troubled childhood and adolescence. After dire experiences at two boarding schools, he headed for New York with dreams of becoming a successful actor. While he looked for work, his friend and roommate Carrie Fisher filmed Star Wars. His sister, Dominique, created the titular Friday Afternoon Club when she became an actor; in addition to Griffin, she would invite her friends to the club, including a young George Clooney. Griffin Dunne got a foothold in film by producing several movies and eventually starred in An American Werewolf in London and After Hours, which he also coproduced. Everything changed in 1982, when Dominique, age 22 at the time, was murdered. The court convicted her ex-boyfriend, John Sweeney, on a reduced charge of voluntary manslaughter. The tragedy changed the family and the course of Dominick Dunne's career, inspiring him to become a crime reporter. VERDICT Raw and painful to read at times but compelling in its honesty, this memoir about the Dunnes will appeal to movie and true-crime fans.—Penelope J.M. Klein

Copyright 2024 Library Journal.

Copyright 2024 Library Journal.
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Publishers Weekly Reviews

After Hours actor Griffin recounts in his bittersweet debut how movies, madness, and murder have touched his celebrated American family. Dunne presents his recollections as a colorful ensemble piece starring his accomplished relatives, including his father, Dominick, who torpedoed his career as a Hollywood producer by insulting a powerful agent, then became a famous novelist; his mother, Ellen, who carried on several affairs; his brother, Alex, a brilliant writer; his sister, Dominique, an actor who costarred in Poltergeist; and his uncle and aunt by marriage, authors John Gregory Dunne and Joan Didion. The narrative is a swirl of parties, crude jokes, and sharply etched celebrity cameos, including a pre-fame, pot-smoking Harrison Ford, still working as a carpenter ("His stuff was so strong that after one toke I couldn't tell the difference between a saw and a tape measure"), and a magnificently bratty Carrie Fisher. But there are darker currents, too: Dominick's closeted homosexuality; Ellen's diagnosis of multiple sclerosis; Alex's intermittent psychosis. Anchoring the book is an account of 22-year-old Dominique's death by strangulation, and her ex-boyfriend John Sweeney's subsequent conviction on a relatively minor manslaughter charge. Dunne's writing is vivid, openhearted, and full of a rich irony that inflects even the most emotional scenes, as when he recalls an extra on the set of the gangster spoof Johnny Dangerously offering to have his mob associates kill Sweeney. The result is a raucously entertaining homage to an unforgettable dynasty. Agents: David Kuhn and Nate Muscato, Aevitas Creative Management. (June)

Copyright 2024 Publishers Weekly.

Copyright 2024 Publishers Weekly.
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Citations

APA Citation, 7th Edition (style guide)

Dunne, G. (2024). The Friday afternoon club: a family memoir . Penguin Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Dunne, Griffin. 2024. The Friday Afternoon Club: A Family Memoir. New York: Penguin Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Dunne, Griffin. The Friday Afternoon Club: A Family Memoir New York: Penguin Press, 2024.

Harvard Citation (style guide)

Dunne, G. (2024). The friday afternoon club: a family memoir. New York: Penguin Press.

MLA Citation, 9th Edition (style guide)

Dunne, Griffin. The Friday Afternoon Club: A Family Memoir Penguin Press, 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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