Every last one : a novel
(Book)

Book Cover
Average Rating
Published
New York : Random House, [2010].
Status
Westover - Adult Fiction
F QUIND
1 available

Copies

LocationCall NumberStatusDue Date
Glencarlyn - Adult FictionF QUINDLong Overdue (Lost) April 12, 2023
Westover - Adult FictionF QUINDAvailable

Description

The latest novel from Pulitzer Prize-winner Anna Quindlen

In this breathtaking and beautiful novel, the #1 New York Times bestselling author Anna Quindlen creates an unforgettable portrait of a mother, a father, a family, and the explosive, violent consequences of what seem like inconsequential actions.

Mary Beth Latham has built her life around her family, around caring for her three teenage children and preserving the rituals of their daily life. When one of her sons becomes depressed, Mary Beth focuses on him, only to be blindsided by a shocking act of violence. What happens afterwards is a testament to the power of a woman’s love and determination, and to the invisible lines of hope and healing that connect one human being with another. Ultimately, as rendered in Anna Quindlen’s mesmerizing prose, Every Last One is a novel about facing every last one of the things we fear most, about finding ways to navigate a road we never intended to travel, and about living a life we never dreamed we’d have to live, but find ourselves brave enough to try.

More Details

Format
Book
Edition
First edition.
Physical Desc
299 pages ; 25 cm
Language
English
ISBN
9781400065745 , 1400065747

Notes

Description
Mary Beth Latham is first and foremost a mother, whose three teenaged children come first, before her career as a landscape gardener, or even her life as the wife of a doctor. Caring for her family and preserving their everyday life is paramount. And so, when one of her sons, Max, becomes depressed, Mary Beth becomes focused on him, and is blindsided by a shocking act of violence.

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NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These have the subjects "Domestic fiction" and "Mothers and sons--Fiction."
These have the subjects "Domestic fiction" and "Mothers and sons--Fiction."
These have the appeal factors emotionally intense, character-driven, and first person narratives, and they have characters that are "sympathetic characters" and "complex characters."
These have the appeal factors emotionally intense, moving, and stylistically complex, and they have the subjects "mothers," "coping," and "hope"; and characters that are "sympathetic characters," "flawed characters," and "complex characters."
These audiobooks have the appeal factors emotionally intense, moving, and leisurely paced, and they have the genres "psychological fiction" and "mainstream fiction"; the subjects "coping," "healing," and "grief"; and characters that are "sympathetic characters," "flawed characters," and "complex characters."
These audiobooks have the appeal factors emotionally intense, moving, and leisurely paced, and they have the genre "psychological fiction"; the subjects "coping," "loss," and "family relationships"; and characters that are "sympathetic characters," "flawed characters," and "complex characters."
These audiobooks have the appeal factors emotionally intense, character-driven, and first person narratives, and they have the subjects "coping," "families," and "loss"; and characters that are "sympathetic characters" and "flawed characters."
These audiobooks have the appeal factors emotionally intense, moving, and leisurely paced, and they have the genres "psychological fiction" and "literary fiction"; the subjects "mothers," "coping," and "families"; and characters that are "sympathetic characters," "flawed characters," and "complex characters."
Like Every Last One, this novel considers a provocative topic -- and moral ambiguities in the digital age -- with skill and compassion. Family relationships are key to both novels. -- Shauna Griffin
Both thought-provoking thanks to provocative, sensitive topics, these two character-driven novels are written with skill and compassion. However, Testimony is set in a private school, while Every Last One focuses on one family. -- Shauna Griffin

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Readers who appreciate Anna Quindlen's way with female characters and their relationships will equally enjoy Elizabeth Berg, who depicts realistic, recognizable women with compassion and eloquence. She, like Quindlen, addresses tough subjects with dignity. -- Shauna Griffin
Readers looking for witty relationship fiction that stars interesting women and isn't afraid to explore the nuances of complex, sometimes difficult emotions should explore the works of both Terry McMillan and Anna Quindlen. Quindlen's characters tend to be a bit more flawed than McMillan's more likable leads. -- Stephen Ashley
Both Anna Quindlen and Jodi Picoult write about tangled family relationships and sympathetic American characters grappling with ethical dilemmas. Picoult's books, however, are more conversational and generally move more quickly than do many of Quindlen's. -- Shauna Griffin
Marge Piercy is another woman-centered writer worthy of comparison to Anna Quindlen. A noted feminist, social activist, poet, science fiction writer, and essayist, Piercy demands a bit more of her readers. While Piercy has not enjoyed Quindlen's popularity, critics have highly recommended her perceptive and textured work. -- Shauna Griffin
Anne Tyler is to Baltimore as Anna Quindlen is to New York, creating a mirror reflecting the essence of a place while capturing individual people. Both authors write intimate, women-centered family tales with characters that are equally realistic in their foibles and oft-endearing human shortcomings. -- Shauna Griffin
Readers who like the family drama aspect of Anna Quindlen's work may enjoy branching out to other environs with Jane Smiley. A Midwesterner, Smiley has quite a different voice from Quindlen's but shares with her an impressive range of styles and a talent for capturing emotion. -- Shauna Griffin
Both Anna Quindlen and Sue Miller are adept at writing about white women struggling to find a balance between their own needs and the demands of husbands, families, communities, or careers. The issues drive the narrative and tackle complex subjects and the protagonist's journey to self-awareness. -- Shauna Griffin
These authors' works have the genres "relationship fiction" and "mainstream fiction"; and the subjects "mothers and daughters," "marital conflict," and "mothers."

Published Reviews

Library Journal Review

Quindlen's sixth novel, following Rise and Shine (2006); simultaneous release with the Random hc (400,000-copy first printing); Hope Davis reads. Copyright 2010 Reed Business Information.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Citations

APA Citation, 7th Edition (style guide)

Quindlen, A. (2010). Every last one: a novel (First edition.). Random House.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Quindlen, Anna. 2010. Every Last One: A Novel. New York: Random House.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Quindlen, Anna. Every Last One: A Novel New York: Random House, 2010.

Harvard Citation (style guide)

Quindlen, A. (2010). Every last one: a novel. First edn. New York: Random House.

MLA Citation, 9th Edition (style guide)

Quindlen, Anna. Every Last One: A Novel First edition., Random House, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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